diff --git a/album3/a-new-day.pdf b/album3/a-new-day.pdf
index ed5759e..f1b3091 100644
Binary files a/album3/a-new-day.pdf and b/album3/a-new-day.pdf differ
diff --git a/album3/instrumental.ly b/album3/instrumental.ly
new file mode 100644
index 0000000..2e7f766
--- /dev/null
+++ b/album3/instrumental.ly
@@ -0,0 +1,169 @@
+\version "2.20.0"
+\language "english"
+
+\header {
+  title = "Instrumental"
+  composer = "Tommy Montgomery"
+  copyright = "(c) 2021 Tommy Montgomery"
+}
+
+global = {
+  \key c \minor
+  \set Staff.printKeyCancellation = ##f
+  \numericTimeSignature
+  \compressFullBarRests
+  \omit Voice.StringNumber
+  \override TupletBracket #'bracket-visibility = #'if-no-beam
+  \override MultiMeasureRest.expand-limit = #3
+  \override Score.ChordName.font-name = #"Noto Serif"
+  \override Score.ChordName.font-size = #0
+  \override Score.LyricText.font-name = #"Noto Serif"
+  \override Score.LyricText.font-size = #0
+  \tempo 4 = 208
+}
+
+nineEight = {
+  \time 9/8
+  \set Timing.beatStructure = #'(4 3 2)
+}
+
+
+guitarOne = \relative c' {
+  \repeat volta 2 {
+    \nineEight
+    c'8 g'( ef) c g'( ef) c g'4-. |
+    c,8 af'( f) c af'( f) c af'4-. |
+    c,8 g'( ef) c g'( ef) c g'4-. |
+    b,8 f'( d) b f'( d) b f'4-. |
+
+    g,8 ef'( c) g ef'( c) g ef'4-. |
+    fs,8 d'( c) fs, d'( c) fs, d'4-. |
+    f,!8 c'( af) f c'( af) f c'4-. |
+    b8( g) f( d) b d f ef( d) |
+
+    c8 g'( ef) c g'( ef) c g'4-. |
+    c,8 af'( f) c af'( f) c af'4-. |
+    c,8 g'( e) c g'( e) c g'4-. |
+    f8 c af g f g af g f |
+
+    g af b d c ef g f af |
+    g af b d c ef g f af |
+  }
+  \alternative {
+    {
+      \time 9/4
+      \set Timing.beatStructure = #'(1 1 1 1 1 1 1 1 1)
+      \tuplet 3/2 4 {
+        g( f) ef
+        f ef d
+        ef( d) b
+        g b d
+        g b d
+        ef d c
+        f ef d
+        g f ef
+        f ef d
+      } |
+    }
+    {
+      \time 9/4
+      \set Timing.beatStructure = #'(1 1 1 1 1 1 1 1 1)
+      \tuplet 3/2 4 {
+        g,8( f) ef
+        f ef d
+        ef( d) c
+        d c b
+        c( b) af
+        b af g
+        af g f
+      }
+        g16( f g f)
+        ef8 d
+      |
+    }
+  }
+
+  \nineEight
+  <c g' c>4 c16 c c c <c g' c>8 <bf f' bf>4 <ef bf' ef> |
+  <c g' c>4 c16 c c c <c g' c>8 <af ef' af>4 <bf f' bf> |
+  <g d' g>4 g16 g g g <g d' g>8 <af ef' af>4 <f c' f> |
+  <g d' g>4 g16 g g g <g d' g>8 <af ef' af>4 <f c' f> |
+
+  g8 d' f af g( f) ef ef d |
+  g, d' f af g b d c af |
+  g, d' f af g( f) ef ef d |.
+
+}
+
+guitarTwo = \relative c {
+
+}
+
+
+guitarOneStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarOne }
+
+guitarTwoStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarTwo }
+
+chordExceptionMusic = {
+  <c e g b d'>1-\markup { "maj9" }
+  <c e g b fs'>1-\markup { "maj7" \sharp "11" }
+  <c ef f g bf>1-\markup { "m7sus4" }
+  <c ef gf bff>1-\markup { "°7" }
+  <c ef gf bf>1-\markup { \super { "ø7" } }
+  <c e g d'>1-\markup { "add9" }
+  <c ef g d'>1-\markup { "m(add9)" }
+  <c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
+  <c g>1-\markup { "5" }
+  <c e g bf>1-\markup { "7" }
+  <c e g b>1-\markup { "maj7" }
+  <c ef g bf>1-\markup { "m7" }
+  <c f g>1-\markup { "sus4" }
+  <c d g>1-\markup { "sus2" }
+  <c e g bf df'>1-\markup { "7" \super { \flat "9" } }
+  <c e g f'>1-\markup { "add11" }
+}
+
+chordExceptions = #(append
+  (sequential-music-to-chord-exceptions chordExceptionMusic #t)
+  ignatzekExceptions
+)
+
+chordValues = \chordmode {
+  \global
+  \powerChords
+  \set chordNameExceptions = #chordExceptions
+  \set majorSevenSymbol = \markup "maj7"
+}
+
+chordNames = \new ChordNames {
+  \set chordChanges = ##t
+  \set chordNameExceptions = #chordExceptions
+  \chordValues
+}
+
+\score {
+  <<
+    \chordNames
+    \guitarOneStaff
+    \guitarTwoStaff
+  >>
+  \layout {
+    \context {
+      \Staff \RemoveEmptyStaves
+      \override Glissando.minimum-length = #4
+      \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
+      \override Glissando.thickness = #2
+      \override VerticalAxisGroup.remove-first = ##t
+    }
+  }
+}
+
+\score {
+  \unfoldRepeats {
+    <<
+      \transpose c c, \guitarOneStaff
+      \transpose c c, \guitarTwoStaff
+    >>
+  }
+  \midi {}
+}
diff --git a/album3/instrumental.pdf b/album3/instrumental.pdf
new file mode 100644
index 0000000..5d5373d
Binary files /dev/null and b/album3/instrumental.pdf differ
diff --git a/album3/last-refuge.ly b/album3/last-refuge.ly
new file mode 100644
index 0000000..648cd87
--- /dev/null
+++ b/album3/last-refuge.ly
@@ -0,0 +1,465 @@
+\version "2.20.0"
+\language "english"
+
+\header {
+  title = "Last Refuge"
+  composer = "Tommy Montgomery"
+  copyright = "(c) 2021 Tommy Montgomery"
+}
+
+global = {
+  \key b \minor
+  \set Staff.printKeyCancellation = ##f
+  \numericTimeSignature
+  \compressFullBarRests
+  \omit Voice.StringNumber
+  \override TupletBracket #'bracket-visibility = #'if-no-beam
+  \override MultiMeasureRest.expand-limit = #3
+  \override Score.ChordName.font-name = #"Noto Serif"
+  \override Score.ChordName.font-size = #0
+  \override Score.LyricText.font-name = #"Noto Serif"
+  \override Score.LyricText.font-size = #0
+  \tempo 4 = 126
+}
+
+guitarOne = \relative c' {
+  \repeat volta 2 {
+    b16( d b a) cs( a) g( e) b'( d b a) cs( d) fs( a) |
+    b,( d b a) cs( a) g( e) fs( a) cs fs a( fs) e( cs) |
+    b( d b a) cs( a) g( e) b'( d b a) cs( d) fs( a) |
+    b,( d b a) cs( a) g( e) g b cs d e( g e) d |
+
+    b( d b a) cs( a) g( e) b'( d b a) cs( d) fs( a) |
+    b,( d b a) cs( a) g( e) fs( a) cs fs a( fs) e( cs) |
+    b( d b a) cs( a) g( e) b'( d b a) cs( d) fs( a) |
+  }
+  \alternative {
+    { b,( d b a) cs( a) g( e) fs as cs e \tuplet 6/4 { fs( e d) cs( b a) } | }
+    {
+      b( d b a) cs( a) g( e)
+      <<
+        { \tuplet 6/4 4 { fs' cs' fs as cs fs as( fs) cs as fs cs } } \\
+        { <fs,, cs' fs>8 r r4 | }
+      >>
+    }
+  }
+
+  \repeat volta 2 {
+    <b fs' b>8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q |
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q4 <a e' a>8 cs |
+    <b fs' b>8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q |
+  }
+  \alternative {
+    { q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q4 \tuplet 6/4 { b'16( a g) fs( e d) } | }
+    { <b fs' b>16 q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q4 \tuplet 6/4 { b16 cs d e fs g } | }
+  }
+
+  \time 7/4
+
+  b,8 \xNotesOn <b fs' b>16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { b16 cs d e fs g } |
+
+  b8 \xNotesOn <b fs' b>16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { b16 cs d e fs g } |
+
+  b,8 \xNotesOn <b fs' b>16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { fs'16 g a b cs d } |
+
+  fs,8 \xNotesOn <fs cs' fs>16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { a16 g fs e d cs } |
+
+  \time 4/4
+
+  \repeat volta 2 {
+    <b, fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+      <b fs' b>8 \xNotesOn q16 q q \xNotesOff <d a' d>8.-> |
+    <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+      fs( a) a( fs) a( fs) fs( a) |
+    <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+      <b fs' b>8 \xNotesOn q16 q q \xNotesOff <d a' d>8.-> |
+  }
+  \alternative {
+    {
+      <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+        <g d'>4 \override Staff.NoteHead.style = #'harmonic-mixed cs \revert Staff.NoteHead.style |
+    }
+    {
+      <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+        <fs cs'>4 \override Staff.NoteHead.style = #'harmonic-mixed as \revert Staff.NoteHead.style |
+    }
+  }
+
+  d'16( e) e e e( d) d d d( e) e e e( d) d d |
+  cs( d) d d d( cs) cs cs cs( d) d d d( cs) cs cs |
+  d( e) e e e( d) d d d( e) e e e( d) d d |
+  e( fs) fs fs fs( e) e e e( fs) fs fs fs( e) e e |
+
+  fs( g) g g g( fs) fs fs fs( g) g g g( fs) fs fs |
+  e( fs) fs fs fs( e) e e e( fs) fs fs fs( e) e e |
+  d( e) e e e( d) d d d( e) e e e( d) d d |
+  cs( d) d d d( cs) cs cs b( cs) cs cs cs( b\glissando as8) |
+
+  b16^"w/ harmony"( cs) cs cs cs( b) b b b( cs) cs cs cs( b) b b |
+  a( b) b b b( a) a a a( b) b b b( a) a a |
+  b( cs) cs cs cs( b) b b b( cs) cs cs cs( b) b b |
+  cs( d) d d d( cs) cs cs cs( d) d d d( cs) cs cs |
+
+  d( e) e e e( d) d d d( e) e e e( d) d d |
+  b( cs) cs cs cs( b) b b b( cs) cs cs cs( b) b b |
+  cs( d) d d d( cs) cs cs cs( d) d d d( cs) cs cs |
+  a( b) b b b( a) a a g( a) a a a( g\glissando fs8) |
+
+  \bar "||"
+
+  \time 7/4
+  <b, fs' b>8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { b16 cs d e fs g } |
+  <b, fs' b>8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { fs'16 e d cs b a } |
+  <b fs' b>8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { b16 cs d e fs g } |
+  <b, fs' b>8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { fs'16 e d cs b a } |
+
+  \time 4/4
+
+  \bar "||"
+
+  g'16( b g) g( cs g) g( d' g,) g( cs g) d'( g,) e'( g,) |
+  g( fs' g,) g( e' g,) g( d' g,) g( e' g,) d'( g,) cs( g) |
+  g( b g) g( cs g) g( d' g,) g( cs g) d'( g,) e'( g,) |
+  g( g' g,) g( fs' g,) g( g' g,) g( a' g,) b'( g,) cs'( g,) |
+
+  \ottava #1
+  b( b' b,) b( cs' b,) b( d' b,) b( cs' b,) d'( b,) e'( b,) |
+  b( fs'' b,,) b( e' b,) b( d' b,) b( e' b,) d'( b,) cs'( b,) |
+  b( b' b,) b( cs' b,) b( d' b,) b( cs' b,) d'( b,) e'( b,) |
+  b( fs'' b,,) b( e' b,) b( fs'' b,,) b( g'' b,,) a''( b,,) b''( b,,) |
+
+  \repeat unfold 2 {
+    b''( b,, b) b''( b,, b) b''( b,, b) b''( b,, b) b''( b,,) b''( b,,) |
+  }
+
+  \time 3/4
+
+  b''4 \ottava #0 r2 |
+
+  \time 4/4
+  \repeat unfold 2 {
+    b,,4 <fs' a>8 \xNotesOn q16 q \xNotesOff q8( <e gs>) \xNotesOn b16 b \xNotesOff <fs' a>8 ~ |
+    q8 \xNotesOn q16 q \xNotesOff <fs a>8 \xNotesOn q16 q \xNotesOff q8( <e gs>) \tuplet 6/4 { b16 cs d e fs g } |
+
+    b,4 <fs' a>8 \xNotesOn q16 q \xNotesOff q8( <e gs>) \xNotesOn b16 b \xNotesOff <fs' a>8 ~ |
+    q8 \xNotesOn q16 q \xNotesOff <gs b>8 \xNotesOn q16 q \xNotesOff <fs a>8( <e gs>) \tuplet 6/4 { b16 cs d e fs g } |
+
+    b,4 <fs' a>8 \xNotesOn q16 q \xNotesOff q8( <e gs>) \xNotesOn b16 b \xNotesOff <fs' a>8 ~ |
+    q8 \xNotesOn q16 q \xNotesOff <fs a>8 \xNotesOn q16 q \xNotesOff q8( <e gs>) \tuplet 6/4 { b16 cs d e fs g } |
+
+    b,4 <fs' a>8 \xNotesOn q16 q \xNotesOff q8( <e gs>) \xNotesOn b16 b \xNotesOff <d fs>8 ~ |
+    q16( <e g!>) q q q( <d fs>) q q q( <e g>) q q q( <d fs>) b( a) |
+  }
+
+  \bar "||"
+
+  b'4. fs'8 ~ fs4 \grace g8( a4 | g4) fs8 e ~ e2 |
+  \grace cs8( d4. cs8) ~ cs4. b8 | \grace cs8( d4. cs8) ~ cs4 \tuplet 3/2 { b16( cs b) } a8 |
+
+  b2 r8 b8 e \grace fs8( g |
+  fs4) e8 b ~ b4 b16 cs d e |
+  fs( d) g, fs g b cs( b) d, cs d fs g( e) g, fs |
+  g b cs4 \grace cs8( d8 ~ d4 cs) |
+
+  b1 |
+
+  R1*6 |
+
+  r2 \ottava #1 \tuplet 6/4 4 { fs'16 as cs fs as b cs b as fs cs as } \ottava #0 |
+
+  \bar "||"
+
+  g,16( b g) g( cs g) g( d' g,) g( cs g) d'( g,) e'( g,) |
+  g( fs' g,) g( e' g,) g( d' g,) g( e' g,) d'( g,) cs( g) |
+  g( b g) g( cs g) g( d' g,) g( cs g) d'( g,) e'( g,) |
+  g( g' g,) g( fs' g,) g( g' g,) g( a' g,) b'( g,) cs'( g,) |
+
+  \ottava #1
+  b( b' b,) b( cs' b,) b( d' b,) b( cs' b,) d'( b,) e'( b,) |
+  b( fs'' b,,) b( e' b,) b( d' b,) b( e' b,) d'( b,) cs'( b,) |
+  b( b' b,) b( cs' b,) b( d' b,) b( cs' b,) d'( b,) e'( b,) |
+  b( fs'' b,,) b( e' b,) b( fs'' b,,) b( g'' b,,) a''( b,,) b''( b,,) |
+
+  \repeat unfold 2 {
+    b''( b,,) b b''( b,,) b b''( b,,) b b''( b,,) b b''( b,,) b''( b,,) |
+  }
+
+  R1*7/16*3 |
+  R1*16 |
+
+}
+
+guitarTwo = \relative c' {
+  \repeat volta 2 { R1*7 | } \alternative { { R1 } { R1 } } |
+
+  \repeat volta 2 { R1*3 } \alternative { { R1 } { R1 } } |
+
+  R1*7/4*4 |
+
+  \repeat volta 2 { R1*3 } \alternative { { R1 } { R1 } } |
+
+  R1*16 |
+
+  R1*7/4*4 |
+
+  <g d'>8 r r <g cs> r r <g d'> r r <g e'> r r <g d'> r <g cs> r |
+  <e b'>8 r r <e cs'> r r <e d'> r r <e cs'> r r <e b'> r cs'4 |
+  <fs, b>4. <fs cs'>8 ~ q4 <fs d'> ~ | q8 e'4. <fs, d'>4 <fs cs'> |
+  <fs b>4. <fs cs'>8 ~ q4 <fs d'> ~ | q8 e'4. <fs, d'>4 <fs cs'> |
+
+  b16 b b cs cs cs d d d e e e fs fs g g |
+  a a a b b b cs cs cs d d d e e fs fs |
+
+  \tuplet 6/4 4 {
+    g16 fs e d cs b
+    d cs b a g fs
+    a g fs e d cs
+  } |
+
+  \bar "||"
+
+  b4 r <b b'> r |
+  \repeat unfold 6 { <b b'> r <b b'> r | }
+  <a a'> r <a a'> e'16( d) b( a) |
+
+  \repeat unfold 3 {
+    b8 b16 b e( fs) b, b' ~ b8 b,16 b e( fs) a8 |
+    b,8 b16 b e( fs) b, b' ~ b8 b,16 b \tuplet 6/4 { b cs d e fs g } |
+  }
+  b,8 b16 b e( fs) b, b' ~ b b, b b e( fs) a8 |
+  <a, d>16( e') e e <a, e'>( d) d d <a d>16( e') e e <a, e'>( d) b( a) |
+
+  <fs b fs'>1 | <g d' g d' g> | <e b' e> | <a e' a> |
+  <b fs'>4 b16 b <b fs'>8 ~ q2 |
+  <b g'>4 b16 b <b g'>8 ~ q2 |
+  <b e>4 b16 b <b e>8 ~ q2 |
+  <a e'>2 <fs cs'>4 \tuplet 3/2 { e'16( fs e) } cs8 |
+
+  \repeat unfold 2 {
+    <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+      <b fs' b>8 \xNotesOn q16 q q \xNotesOff <d a' d>8.-> |
+    <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+      fs( a) a( fs) a( fs) fs( a) |
+    <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+      <b fs' b>8 \xNotesOn q16 q q \xNotesOff <d a' d>8.-> |
+  }
+  \alternative {
+    {
+      <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+        <g d'>4 \override Staff.NoteHead.style = #'harmonic-mixed cs \revert Staff.NoteHead.style |
+    }
+    {
+      <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+        <fs cs'>4 \override Staff.NoteHead.style = #'harmonic-mixed as \revert Staff.NoteHead.style |
+    }
+  }
+
+  <g d'>8 g g <g cs> g g <g d'> g | g <g e'> g g <g d'> g <g cs> g |
+  <e b'>8 e e <e cs'> e e <e d'> e | e <e cs'> e e <e b'> e cs'4 |
+  b8 fs' b fs cs' fs, d' fs, | b, fs' e' fs, d' fs, cs' fs, |
+  b, fs' b fs cs' fs, d' fs, | e'16( d cs) b cs b( a) g a g fs e fs( e) d cs |
+
+  b16 b b cs cs cs d d d e e e fs g a cs |
+  b16 b b cs cs cs d d d e e e fs g a cs |
+
+  \time 7/16
+  \set Timing.beatStructure = #'(4 3)
+  b16( e,) e( b) fs'( b,) b |
+  cs( g) fs( d) g( d) e |
+  fs( d) cs( a) d( a) cs |
+
+  \time 4/4
+
+  R1*16^"intro riff" |
+
+  \repeat unfold 3 {
+    <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+      <b fs' b>8 \xNotesOn q16 q q \xNotesOff <d a' d>8.-> |
+  }
+
+  <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+    <b fs' b>4 r |
+
+  \time 7/4
+
+  <fs cs' fs>8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { fs16 g a b cs d } |
+  <fs, cs' fs>8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { e'16 d cs b a g } |
+  <fs cs' fs>8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { fs16 g a b cs d } |
+  <fs, cs' fs>8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff q8 \xNotesOn q16 q
+    q q \xNotesOff q8 \xNotesOn q16 q q q \xNotesOff \tuplet 6/4 { b'( a g) fs( e d) } |
+
+  \time 4/4
+  <b fs' b>8 \xNotesOn q16 q \xNotesOff <a e' a>8 \xNotesOn q16 q \xNotesOff
+    <b fs' b>8 \xNotesOn q16 q q \xNotesOff <d a' d>8.-> |
+  <e b' e>4 <fs cs' fs> <g d' g a>2 |
+
+  \time 7/16
+  \set Timing.beatStructure = #'(4 3)
+  b'16( e,) e( b) fs'( b,) b |
+  cs( g) fs( d) g( d) e |
+  fs( d) cs( a) d( a) cs |
+
+  \time 4/4
+  b2 r2 |
+
+  \bar "|."
+}
+
+
+guitarOneStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarOne }
+
+guitarTwoStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarTwo }
+
+chordExceptionMusic = {
+  <c e g b d'>1-\markup { "maj9" }
+  <c e g b fs'>1-\markup { "maj7" \sharp "11" }
+  <c ef f g bf>1-\markup { "m7sus4" }
+  <c ef gf bff>1-\markup { "°7" }
+  <c ef gf bf>1-\markup { \super { "ø7" } }
+  <c e g d'>1-\markup { "add9" }
+  <c ef g d'>1-\markup { "m(add9)" }
+  <c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
+  <c g>1-\markup { "5" }
+  <c e g bf>1-\markup { "7" }
+  <c e g b>1-\markup { "maj7" }
+  <c ef g bf>1-\markup { "m7" }
+  <c f g>1-\markup { "sus4" }
+  <c d g>1-\markup { "sus2" }
+  <c e g bf df'>1-\markup { "7" \super { \flat "9" } }
+  <c e g f'>1-\markup { "add11" }
+}
+
+chordExceptions = #(append
+  (sequential-music-to-chord-exceptions chordExceptionMusic #t)
+  ignatzekExceptions
+)
+
+chordValues = \chordmode {
+  \global
+  \powerChords
+  \set chordNameExceptions = #chordExceptions
+  \set majorSevenSymbol = \markup "maj7"
+
+  \repeat volta 2 {
+    b4:m a b:m d:maj7 | b:m a fs2:m |
+    b4:m a b:m d:maj7 | b:m a e2:m6 |
+    b4:m a b:m d:maj7 | b:m a fs2:m |
+    b4:m a b:m d:maj7 |
+  }
+  \alternative {
+    { b4:m a fs2:7 | }
+    { b4:m a fs2 | }
+  }
+
+  \repeat volta 2 {
+    b1:1.5 | q2. a4 | b1:1.5 |
+  }
+  \alternative {
+    { b1:1.5 | }
+    { b1:1.5 | }
+  }
+
+  \repeat unfold 4 { b1*7/4:1.5 | }
+
+  \repeat volta 2 {
+    b4:1.5 a:1.5 b:1.5 q16 d8.:1.5 |
+    b4:1.5 a:1.5 fs2:m |
+    b4:1.5 a:1.5 b:1.5 q16 d8.:1.5 |
+  }
+  \alternative {
+    { b4:1.5 a:1.5 g2:1.3.5.11+ | }
+    { b4:1.5 a:1.5 fs2 | }
+  }
+
+  \repeat unfold 2 {
+    b1:m | g | e:m | a2:sus4 a |
+    b1:m | g | e:m | a4:sus4 a fs:sus4 fs |
+  }
+
+  \repeat unfold 4 { b1*7/4:1.5 | }
+
+  g1:1.3.5.11+ | q | e:m6 | q |
+  b:m | q | q | q |
+  q | q | r2. |
+
+  \repeat unfold 2 {
+    \repeat unfold 6 { b1:m6 } |
+    b2..:m6 d8:/a | q1 |
+  }
+
+  b1:m | g | e:m | a2:sus4 a |
+  b1:m | g | e:m | a4:sus4 a fs:sus4 fs |
+
+  \repeat unfold 2 {
+    b4:1.5 a:1.5 b:1.5 q16 d8.:1.5 |
+    b4:1.5 a:1.5 fs2:m |
+    b4:1.5 a:1.5 b:1.5 q16 d8.:1.5 |
+  }
+  \alternative {
+    { b4:1.5 a:1.5 g2:1.3.5.11+ | }
+    { b4:1.5 a:1.5 fs2 | }
+  }
+
+  g1:1.3.5.11+ | q | e:m6 | q |
+  b:m | q | q | q |
+  q | q |
+
+  \repeat unfold 3 { r1*7/16 | }
+  R1*16 |
+
+  \repeat unfold 3 { b4:1.5 a:1.5 b:1.5 q16 d8.:1.5 | }
+  b4:1.5 a:1.5 b2:1.5 |
+
+  \repeat unfold 4 { fs1*7/4:1.5 | }
+
+  b4:1.5 a:1.5 b:1.5 q16 d8.:1.5 |
+  e4:1.5 fs:1.5 g2:sus2 |
+
+  \repeat unfold 3 { r1*7/16 | }
+  b1:1.5 |
+
+}
+
+chordNames = \new ChordNames {
+  \set chordChanges = ##t
+  \set chordNameExceptions = #chordExceptions
+  \chordValues
+}
+
+\score {
+  <<
+    \chordNames
+    \guitarOneStaff
+    \guitarTwoStaff
+  >>
+  \layout {
+    \context {
+      \Staff \RemoveEmptyStaves
+      \override Glissando.minimum-length = #4
+      \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
+      \override Glissando.thickness = #2
+      \override VerticalAxisGroup.remove-first = ##t
+    }
+  }
+}
+
+\score {
+  \unfoldRepeats {
+    <<
+      \transpose c c, \guitarOneStaff
+      \transpose c c, \guitarTwoStaff
+    >>
+  }
+  \midi {}
+}
diff --git a/album3/last-refuge.pdf b/album3/last-refuge.pdf
new file mode 100644
index 0000000..e6b1b3a
Binary files /dev/null and b/album3/last-refuge.pdf differ
diff --git a/album3/nine.ly b/album3/nine.ly
new file mode 100644
index 0000000..1b61d9a
--- /dev/null
+++ b/album3/nine.ly
@@ -0,0 +1,158 @@
+\version "2.20.0"
+\language "english"
+
+\header {
+  title = "9/4"
+  composer = "Tommy Montgomery"
+  copyright = "(c) 2021 Tommy Montgomery"
+}
+
+global = {
+  \key e \minor
+  \set Staff.printKeyCancellation = ##f
+  \numericTimeSignature
+  \compressFullBarRests
+  \omit Voice.StringNumber
+  \override TupletBracket #'bracket-visibility = #'if-no-beam
+  \override MultiMeasureRest.expand-limit = #3
+  \override Score.ChordName.font-name = #"Noto Serif"
+  \override Score.ChordName.font-size = #0
+  \override Score.LyricText.font-name = #"Noto Serif"
+  \override Score.LyricText.font-size = #0
+  \tempo 4 = 144
+}
+
+nineFour = {
+  \time 9/4
+  \set Timing.beatStructure = #'(1 1 1 1 1 1 1 1 1)
+}
+
+
+guitarOne = \relative c {
+  \partial 8 e16 e |
+
+  \time 4/4
+  e8 fs g e d' cs e, <c' e g b e> ~ | q2. ~ q8 e,16 e |
+  e8 fs g e b' c e, <a e' a b e> ~ | q2. ~ q8 e16 e |
+  e8 fs g e d' e e, <cs' e g b e> ~ | q2. ~ q8 e16 e |
+  e8 fs g e c' a e <b fs' b> | r4 <c e a d>8 r r <d a' b e>4. ~ | q1 |
+
+  \bar "||"
+
+  \nineFour
+  \repeat unfold 3 {
+    e,16 e e8 r e16 e e8 r e16 e e8 r e16 e e8 r e16 e e e fs( e) e e g( e) e e |
+  }
+  e16 e e8 r e16 e e8 r e16 e e8 r e16 e a b c8 b16 a g8 fs16 g a8 g16 fs f8 |
+
+  e8 e' a b d b r cs a r c a r b g r a fs |
+  e,8 e' a b d b r cs a r g' e r fs d d, g( a) |
+  e,8 e' a b d b r cs a r c a r b g r a fs |
+}
+
+guitarTwo = \relative c {
+  r8 |
+  R1 |
+}
+
+vocalMelody = \relative c'' {
+  r8 |
+  e1 |
+
+}
+
+allTheLyrics = \lyricmode {
+  Hi.
+
+
+}
+
+guitarOneStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarOne }
+
+guitarTwoStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarTwo }
+
+
+vox = \new Staff \with { midiInstrument = "voice oohs" midiMinimumVolume = #0.7 } {
+  <<
+    \new Voice = "vocalMelody" { \clef treble \global \vocalMelody }
+  >>
+}
+
+demLyrics = \new Lyrics \lyricsto "vocalMelody" {
+  <<
+    \new Lyrics {
+      \set associatedVoice = "vocalMelody"
+      \allTheLyrics
+    }
+  >>
+}
+
+
+chordExceptionMusic = {
+  <c e g b d'>1-\markup { "maj9" }
+  <c e g b fs'>1-\markup { "maj7" \sharp "11" }
+  <c ef f g bf>1-\markup { "m7sus4" }
+  <c ef gf bff>1-\markup { "°7" }
+  <c ef gf bf>1-\markup { \super { "ø7" } }
+  <c e g d'>1-\markup { "add9" }
+  <c ef g d'>1-\markup { "m(add9)" }
+  <c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
+  <c g>1-\markup { "5" }
+  <c e g bf>1-\markup { "7" }
+  <c e g b>1-\markup { "maj7" }
+  <c ef g bf>1-\markup { "m7" }
+  <c f g>1-\markup { "sus4" }
+  <c d g>1-\markup { "sus2" }
+  <c e g bf df'>1-\markup { "7" \super { \flat "9" } }
+  <c e g f'>1-\markup { "add11" }
+}
+
+chordExceptions = #(append
+  (sequential-music-to-chord-exceptions chordExceptionMusic #t)
+  ignatzekExceptions
+)
+
+chordValues = \chordmode {
+  \global
+  \powerChords
+  \set chordNameExceptions = #chordExceptions
+  \set majorSevenSymbol = \markup "maj7"
+
+
+}
+
+chordNames = \new ChordNames {
+  \set chordChanges = ##t
+  \set chordNameExceptions = #chordExceptions
+  \chordValues
+}
+
+\score {
+  <<
+    \chordNames
+    \vox
+    \demLyrics
+    \guitarOneStaff
+    \guitarTwoStaff
+  >>
+  \layout {
+    \context {
+      \Staff \RemoveEmptyStaves
+      \override Glissando.minimum-length = #4
+      \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
+      \override Glissando.thickness = #2
+      \override VerticalAxisGroup.remove-first = ##t
+    }
+  }
+}
+
+\score {
+  \unfoldRepeats {
+    <<
+      \transpose c c, \vox
+      \transpose c c, \guitarOneStaff
+      \transpose c c, \guitarTwoStaff
+    >>
+  }
+  \midi {}
+}
diff --git a/album3/nine.pdf b/album3/nine.pdf
new file mode 100644
index 0000000..0108c98
Binary files /dev/null and b/album3/nine.pdf differ
diff --git a/album3/phlegethon.ly b/album3/phlegethon.ly
new file mode 100644
index 0000000..ca9d24d
--- /dev/null
+++ b/album3/phlegethon.ly
@@ -0,0 +1,160 @@
+\version "2.20.0"
+\language "english"
+
+\header {
+  title = "Phlegethon"
+  composer = "Tommy Montgomery"
+  copyright = "(c) 2021 Tommy Montgomery"
+}
+
+global = {
+  \key d \minor
+  \time 4/4
+  %\overrideTimeSignatureSettings 2/2 1/4 #'(1 1 1 1) #'()
+  \set Staff.printKeyCancellation = ##f
+  \numericTimeSignature
+  \override TupletBracket #'bracket-visibility = #'if-no-beam
+  \set Score.connectArpeggios = ##t
+  \override Beam.auto-knee-gap = #10
+}
+
+lowerStaff = {
+  \change Staff = "mainL" \override Stem #'direction = #UP
+}
+
+upperStaff = {
+  \revert Stem #'direction \change Staff = "mainR"
+}
+
+fixSlope = {
+  \once \override Beam.positions = #'(9 . 15)
+  %\once \override Stem.direction = #UP
+}
+
+\parallelMusic #'(mainR mainL) {
+  \tempo "Freely"
+  \set subdivideBeams = ##t
+
+  \global << { a'4 g e f } \\ { <g, a cs e>4 <bf d e> <f a d> <gs b d>8 <g bf cs> } >> |
+  \global <a, a'>4 <g g'> <f f'> <e e'>8 <ef ef'> \bar "||" |
+
+  \tempo "Fast" 4 = 72
+
+  \lowerStaff r32 e f a d \upperStaff e f a \tuplet 10/8 { d[ a f e f a d e f a] } d a f e d a f e d' a f e \lowerStaff d a f e |
+  <d d'>1 \break |
+
+  r32 \fixSlope d f a bf \upperStaff d f a \tuplet 10/8 { bf[ a f d f a bf d f a] } bf a f d bf a f d bf' a f d \lowerStaff bf a f d |
+  q1 |
+
+  r32 d e g c \upperStaff d e g \tuplet 10/8 { c[ g e d e g c d e g] } c g e d c g e d c' g e d \lowerStaff c g e d |
+  q1 |
+
+  r32 e fs a d \upperStaff e fs a \tuplet 10/8 { d[ a fs e fs a d e fs a] } d a fs e d a fs e d' a fs e \lowerStaff d a fs e |
+  q1 |
+
+  r32 d fs a c \upperStaff d fs a \tuplet 10/8 { c[ a fs d fs a c d fs a] } c a fs d c a fs d c' a fs d \lowerStaff c a fs d |
+  q1 |
+
+  r32 d f! af c \upperStaff d f! af \tuplet 10/8 { c[ af f d f af c d f! af] } c af f d c af f d c' af f d \lowerStaff c af f d |
+  q1 |
+
+  r32 \fixSlope d f g b \upperStaff d f g \tuplet 10/8 { b[ g f d f g b d f g] } b g f d b g f d b' g f d \lowerStaff b g f d |
+  q1 |
+
+  r32 c ef g a \upperStaff c ef g \tuplet 10/8 { a[ g ef c ef g a c ef g] } a g ef c a g ef c a' g ef c \lowerStaff a g ef c |
+  <ef ef'>1 |
+
+  r32 d fs a bf \upperStaff d fs a \tuplet 10/8 { bf[ a fs d fs a bf d fs a] } bf a fs d bf a fs d bf' a fs d \lowerStaff bf a fs d |
+  <d d'>1 |
+
+  r32 d fs a bf \upperStaff d fs a bf d fs a \ottava #1 bf d fs a bf a fs d \ottava #0 bf a fs d bf a fs d \lowerStaff bf a fs d |
+  \override Stem #'direction = #DOWN q4 <d' d'> \revert Stem #'direction <ef ef'>8[ <c c'>] \override Stem #'direction = #DOWN <g g'>[ <d d'>] \revert Stem #'direction |
+
+  r32 d ef g c \upperStaff d ef g \tuplet 10/8 { c[ g ef d ef g c d ef g] } c g ef d c g ef d c' g ef d \lowerStaff c g ef d |
+  <c c'>1 |
+
+  r32 d ef af c \upperStaff d ef af \tuplet 10/8 { c[ af ef d ef af c d ef af] } c af ef d c af ef d c' af ef d \lowerStaff c af ef d |
+  <af' af'>1 |
+
+  r32 d f bf c \upperStaff d f bf \tuplet 10/8 { c[ bf f d f bf c d f bf] } c bf f d c bf f d c' bf f d \lowerStaff c bf f d |
+  <bf bf'>1 |
+
+  r32 d e? g c \upperStaff d e? g \tuplet 10/8 { c[ g e d e g c d e? g] } c g e d c g e d c' g e d \lowerStaff c g e d |
+  \once \override Stem.direction = #DOWN <c c'>2 <c, c'> |
+
+  r32 f bf c df \upperStaff f bf c \tuplet 10/8 { df[ c bf f bf c df f bf c] } df c bf f df c bf f df' c bf f \lowerStaff df c bf f |
+  <f f'>1 |
+
+  \upperStaff r32 g c df e g c df \tuplet 10/8 { e[ df c g c df e g c df] } e df c g e df c g e' df c g e df c g |
+  <g g'>1 |
+
+  r32 af c df f af c df \tuplet 10/8 { f[ df c af c df f af c df] } f df c af f df c af f' df c af f df c af |
+  <af af'>1 |
+
+  r32 bf df e g bf df e \tuplet 10/8 { g[ e df bf df e g bf df e] } g e df bf g e df bf g' e df bf g e df bf |
+  <bf bf'>1 |
+
+  \lowerStaff r32 e, g a d \upperStaff e g a \tuplet 10/8 4 { d[ a g e g a d e g a] d[ a g e g a d \ottava #1 e g a] } d a g e d' a g e |
+  <a a'>1 |
+
+  d'32 bf g e \ottava #0 d bf g e d bf g bf d g bf d \tuplet 12/8 4 { cs[ bf g e cs bf g e cs bf g e] g[ bf cs e g bf cs e g bf cs e] } |
+  <a, a'>2 <cs cs'> \bar "||" |
+
+  \time 5/4 \lowerStaff r32 e,,, f a d \upperStaff e f a \tuplet 10/8 4 { d[ a f e f a d e f a] \ottava #1 d[ a f e f a d e f a] } d a f e \ottava #0 d a f e d a f e \lowerStaff d a f e |
+  \time 5/4 <d d'>1 ~ q4 |
+
+  r32 d f a bf \upperStaff d f a \tuplet 10/8 4 { bf[ a f d f a bf d f a] \ottava #1 bf[ a f d f a bf d f a] } bf a f d \ottava #0 bf a f d bf a f d \lowerStaff bf a f d |
+  q1 ~ q4 |
+
+  r32 d e g c \upperStaff d e g \tuplet 10/8 4 { c[ g e d e g c d e g] \ottava #1 c[ g e d e g c d e g] } c g e d \ottava #0 c g e d c g e d \lowerStaff c g e d |
+  q1 ~ q4 |
+
+  r32 e fs a d \upperStaff e fs a \tuplet 10/8 4 { d[ a fs e fs a d e fs a] \ottava #1 d[ a fs e fs a d e fs a] } d a fs e \ottava #0 d a fs e d a fs e \lowerStaff d a fs e |
+  q1 ~ q4 |
+
+  r32 d g bf e \upperStaff d g bf \tuplet 10/8 4 { e[ bf g d g bf e d g bf] \ottava #1 e[ bf g d g bf e d g bf] } e bf g d \ottava #0 e bf g d e bf g d \lowerStaff e bf g d |
+  q1 ~ q4 |
+
+  r32 d fs a c \upperStaff d fs a \tuplet 10/8 4 { c[ a fs d fs a c d fs a] \ottava #1 c[ a fs d fs a c d fs a] } c a fs d \ottava #0 c a fs d c a fs d \lowerStaff c a fs d |
+  q1 ~ q4 |
+
+  r32 d f af b \upperStaff d f af \tuplet 10/8 4 { b[ af f d f af b d f af] \ottava #1 b[ af f d f af b d f af] } b af f d \ottava #0 b af f d b af f d \lowerStaff b af f d |
+  q1 ~ q4 |
+
+  r32 c ef g c \upperStaff c ef g \tuplet 10/8 4 { c[ g ef c ef g c c ef g] \ottava #1 c[ g ef c ef g c c ef g] } c g ef c \ottava #0 c g ef c c g ef c \lowerStaff c g ef c |
+  <c c'>1 ~ q4 |
+
+  r32 d fs a bf \upperStaff d fs a \tuplet 10/8 4 { bf[ a fs d fs a bf d fs a] \ottava #1 bf[ a fs d fs a bf d fs a] } bf a fs d \ottava #0 bf a fs d bf a fs d \lowerStaff bf a fs d |
+  <d d'>2 <d'' fs a ef'>2.\arpeggio |
+
+  \time 4/4 r32 d fs a bf \upperStaff d fs a bf d fs a bf \ottava #1 d fs a bf a fs d \ottava #0 bf a fs d bf a fs d bf a fs d ~ |
+  \time 4/4 \override Stem.direction = #DOWN <d,, d'>8 <d' d'> <d' d'> \clef treble <d' d'> \revert Stem.direction \tuplet 6/4 4 { ef'16 a, fs ef a, fs \clef bass ef a, fs ef a, fs } |
+
+  d1\fermata |
+  <d d'>1\fermata \bar "|." |
+}
+
+mainStaff = \new PianoStaff <<
+  \new Staff = "mainR" \with {
+    midiInstrument = "acoustic grand"
+  } \relative c' \mainR
+  \new Staff ="mainL" \with {
+    midiInstrument = "acoustic grand"
+  } { \clef bass \relative c \mainL }
+>>
+
+\score {
+  <<
+    \mainStaff
+  >>
+  \layout {
+    \context {
+      \Staff \RemoveEmptyStaves
+      \override Glissando.minimum-length = #4
+      \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
+      \override Glissando.thickness = #2
+      \override VerticalAxisGroup.remove-first = ##t
+    }
+  }
+  \midi {}
+}
\ No newline at end of file
diff --git a/album3/phlegethon.pdf b/album3/phlegethon.pdf
new file mode 100644
index 0000000..9fa013a
Binary files /dev/null and b/album3/phlegethon.pdf differ