diff --git a/2022-projects/36-chopin-mazurkas-06.ly b/2022-projects/36-chopin-mazurkas-06.ly new file mode 100644 index 0000000..c6a52f9 --- /dev/null +++ b/2022-projects/36-chopin-mazurkas-06.ly @@ -0,0 +1,502 @@ +\version "2.22.1" +\language "english" + +#(set-global-staff-size 18) + +\header { + tagline = "" +} + +\paper { + % system-system-spacing = #'((basic-distance . 0.1) (padding . 4)) +} + +global = { + % \set Staff.printKeyCancellation = ##f + \numericTimeSignature + \compressEmptyMeasures + \override TupletBracket #'bracket-visibility = #'if-no-beam + \override MultiMeasureRest.expand-limit = #3 + \override Score.ChordName.font-name = #"Noto Serif" + \override Score.ChordName.font-size = #0 + \override Score.LyricText.font-name = #"Noto Serif" + \override Score.LyricText.font-size = #0 +} + +\score { + << + \new PianoStaff << + \new Staff \relative c' { + \time 3/4 + \global + \key cs \minor + + e8.( cs'16 b4 a | gs8. e16 cs4 d | e8. fs16 gs4 \acciaccatura b8 a4 | \partial 2 gs4.) s8 | + } + \new Staff \relative c { + \global + \key cs \minor + \clef bass + + cs4 | cs, gs' | cs | \partial 2 cs, | + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} + +\score { + << + \new PianoStaff << + \new Staff \relative c' { + \time 3/4 + \global + \key cs \minor + + fs'8[( \grace { e16\( fs } e8\) ds e fs fss] | + gs4.) as8( gs fss | gs as gs fss gs as | gs fss gs as gs fs | \acciaccatura { fs8 } es8) s8 + } + \new Dynamics { + \global + + s8 s2_\markup { \italic "cresc." } s8 | s2.\f | + } + \new Staff \relative c { + \global + \key cs \minor + \clef bass + + R2. | + bs4 q | cs, q | gs, q | \partial 4 4 | + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} + +\score { + << + \new PianoStaff << + \new Staff = "right" \relative c' { + \time 3/4 + \global + \key cs \minor + + << + { + 2.( | \tweak NoteColumn.force-hshift 0.5 e8 a gs4 fs | cs'2. | cs2 b4 | 2.) | + } \\ + { + s2. | | + e8 cs \stemDown \change Staff = "left" a4 b | + \change Staff = "right" \stemDown cs8 d e4 es | s2. | + } + >> + } + \new Dynamics { + \global + + s2.\pp | + } + \new Staff = "left" \relative c { + \global + \key cs \minor + \clef bass + + << + { + e8 a gs4 fs | 2. | s2. | s2 \once \override Stem.stencil = ##f cs4 ~ | cs8( fs e!4 d) | + } + \\ + { + a2. ~ | \once \override Stem.stencil = ##f a2. | ~ | q2 4 | fs2. | + } + >> + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} + +\score { + << + \new PianoStaff << + \new Staff \relative c' { + \time 3/4 + \global + \key cs \minor + + es8( cs' b4 a | gs8 es cs4 d | es8 fs gs4 \grace { a16\( b } a4\) | \partial 2 gs4.) s8 | + } + \new Staff \relative c { + \global + \key cs \minor + \clef bass + + cs4 | + << + { r4 gs4 a | } \\ + { cs,2 fs4 | } + >> + cs4 r4 | + \partial 2 + << + { r4 gs4 } \\ + { cs,2 } + >> | + + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} + +\score { + << + \new PianoStaff << + \new Staff \relative c' { + \time 3/4 + \global + \key cs \minor + + \clef bass + << + { + gs8.( a16 gs2 ~ | gs8. a16 gs4 gs ~ | gs8. a16 gs2 ~ | gs8. a16 gs2 ~ | gs2. | gs2.)\fermata | \bar "|." + } \\ + { + e2 e4 | ds2 ds4 | e2 e4 | ds2 ds4 ~ | ds8. e16 ds4. cs8 | cs2. | + } + >> + } + \new Dynamics { + \global + + s2. | s | s_\markup { \italic "smorz." } | + } + \new Staff \relative c { + \global + \key cs \minor + \clef bass + + 2 q4 | 2 q4 | 2 q4 | 2 q4 | q2 q4 | 2.\fermata | + + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} + +% Op. 41, No. 2 +\score { + << + \new PianoStaff << + \new Staff \relative c' { + \time 3/4 + \global + \key e \minor + + << + { + 4( q c'8. b16 | b4 a8. gs16 a4) | + 4( q g'!8. fs16 | fs8 e \slashedGrace fs_\( e\) ds e4) | + } \\ + { + s2 4 | 2. | s2 4 | 2 | + } + >> + } + \new Dynamics { + \global + + s2.\p | + } + \new Staff \relative c { + \global + \key e \minor + \clef bass + + e4 e e | 2. | b4 b b | 2. | + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} + +\score { + << + \new PianoStaff << + \new Staff \relative c' { + \time 3/4 + \global + \key e \minor + + << + { + ds'2( ds4-> | ds2 ds4-> | + 4 q \tweak NoteColumn.force-hshift 0.5 c'!8. b16 | + \tweak NoteColumn.force-hshift 0.9 b4 a8. gs16 a4) | + } \\ + { + r4 ~ | q | + s2 4 | 2. | + } + >> + } + \new Dynamics { + \global + + s4 s2\< | s2. | s4\ff s2^\markup { \italic "sostenuto" } | + } + \new Staff \relative c { + \global + \key e \minor + \clef bass + + r4 q ~ | q q q | + << + { + \stemNeutral 4 \stemUp c'!8. b16 | b4 a8. gs16 a4 | + } \\ + { + s2 4 | 2. | + } + >> + + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} + +% Op. 41, No. 3 +\score { + << + \new PianoStaff << + \new Staff \relative c' { + \time 3/4 + \global + \key b \major + + << + { + 8( ) q2-> ~ | q4 \stemNeutral cs8( b e fs | + gs ds e gs b cs | ds-.)[ b16\rest as]( \tuplet 3/2 { b8 cs b } as gs | fs cs ds e gs fs | + ) q2-> | + } \\ + { + fs4 fs2 ~ | fs4 s2 | + s2. | s2. | s2. | + fs4 fs2 | + } + >> + } + \new Dynamics { + \global + + s2.\p | s4 s2\< | s2. | s16 s\! s8 s2 | s2.\> | s2.\p | + } + \new Staff \relative c { + \global + \key b \major + \clef bass + + 4 2 | + \override TextScript.X-offset = -3.0 + 4_\markup { \dynamic fz } cs'8( b e fs | + gs ds e gs b cs | ds) r cs,4 | fs, q | q2 | + + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} + +\score { + << + \new PianoStaff << + \new Staff \relative c' { + \time 3/4 + \global + \key b \major + + \partial 2 cs8( b e fs | + gs ds e gs b cs | ds-.) r16 a( \tuplet 3/2 { bf8 c bf } af g | + af e f af c bf | \partial 4 g4) | + + } + \new Dynamics { + \global + + \partial 2 s2\< | s2. | s16 s16\! + } + \new Staff \relative c { + \global + \key b \major + \clef bass + + \partial 2 cs8( b e fs | + gs ds e gs b cs | ds) r bf,4 | + bf, q | \partial 4 ef + + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} + +\score { + << + \new PianoStaff << + \new Staff \relative c' { + \time 3/4 + \global + \key b \major + + \partial 2 cs8( b e fs | + gs ds e gs b cs | d) r16 gs,( \tuplet 3/2 { a8 b a } g fs | + g ds! e g b a | \partial 4 fs4-.) | + + } + \new Dynamics { + \global + + \partial 2 s2\< | s2. | s16 s16\! + } + \new Staff \relative c { + \global + \key b \major + \clef bass + + \partial 2 cs8( b e fs | + gs ds e gs b cs | d) r a,4 | + a, q | \partial 4 d + + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} + +% Op. 41, No. 4 +\score { + << + \new PianoStaff << + \new Staff \relative c' { + \time 3/4 + \global + \key af \major + + \partial 4 ef4( | + af8 c ef e f g, | af) c( \acciaccatura f ef! d ef4->) | + df!8( f g! bf af f | df) e( \acciaccatura g f e f4->) | + + + } + \new Dynamics { + \global + + \partial 4 s4^\markup { \italic "dolce" } | + } + \new Staff \relative c { + \global + \key af \major + \clef bass + + \partial 4 r4 | + af,4 | af, q | + df, q | bf, q | + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} + + +\score { + << + \new PianoStaff << + \new Staff \relative c' { + \time 3/4 + \global + \key af \major + + << + { ef'2( ~ ef8 ef | d4 c2) | } \\ + { g8 af g af f4 ~ | f8 f e2 | } + >> + + r4 g8( gs a b, | c4-.) \acciaccatura a'8 g8( fs g4 | \partial 4 c,-.) | + } + \new Staff \relative c { + \global + \key af \major + \clef bass + + 4 q ~ | q q | + c, | r q | \partial 4 c, | + } + >> + >> + \layout { + indent = 0 + \context { + \Score \omit BarNumber + } + } +} \ No newline at end of file diff --git a/2022-projects/36-chopin-mazurkas-06.pdf b/2022-projects/36-chopin-mazurkas-06.pdf new file mode 100644 index 0000000..d7890af Binary files /dev/null and b/2022-projects/36-chopin-mazurkas-06.pdf differ