diff --git a/broken-tranquility.ly b/broken-tranquility.ly index 87d4338..0f98067 100644 --- a/broken-tranquility.ly +++ b/broken-tranquility.ly @@ -12,20 +12,44 @@ lhBrokenChord = { fs,8 cs' fs a cs fs a fs cs a fs cs | } } +brokenMinorTenth = { + \relative c, { + cs8 gs' cs e cs gs cs, gs' cs e cs gs | + } +} +brokenMajorTenth = { + \relative c, { + cs8 gs' cs es cs gs cs, gs' cs es cs gs | + } +} + +bachFugue = { + \relative c'' { + g16 g' f g ef g d g c, g' d g ef g g, g' a, g' b, g' c, g' b, g' c, g' d g | + } +} +bachFugueL = { + \relative c { + << { r8 \clef treble af''8 g f ef f g b, c d ef d ef f } \\ { \clef bass 1 s2. } >> | + } +} sixBeamException = { \set Timing.beatStructure = #'(6 6) } +defaults = { + \set Staff.printKeyCancellation = ##f + \numericTimeSignature +} + \parallelMusic #'(right left) { - - \key fs \dorian \time 4/4 \tempo "Moderately" 4 = 120 \set Score.connectArpeggios = ##t - \key fs \dorian 4. b8 e fs gs e | - \key fs \dorian e,8 b' e4 a8 b4 cs8 | + \defaults \key fs \dorian 4. b8 e fs gs e | + \defaults \key fs \dorian e,8 b' e4 a8 b4 cs8 | 4. 4 | a,8 e' a4 8 ~ 4 | 2.\fermata ds8 es | @@ -36,9 +60,9 @@ sixBeamException = { << { a'2 ~ a8 fs' gs a } \\ { 2 ~ 8 fs' gs a } >> | << { r8 cs' fs a ds a fs cs } \\ { 1 } >> | - << { b'2. ds4 } \\ { 2. ds4 } >> | + << { b'2.\arpeggio ds4 } \\ { 2.\arpeggio ds4 } >> | << { r8 b' ds es b' es, ds b } \\ { 1 } >> | - << { cs'2 gs2\fermata } \\ { 1 } >> | + << { cs'2\arpeggio gs2\fermata } \\ { 1\arpeggio } >> | 8 2\fermata | \time 12/8 @@ -65,12 +89,12 @@ sixBeamException = { % and it begins... - 2. ~ 4. ~ 4 8 | + 2.\arpeggio ~ 4. ~ 4 8 | \lhBrokenChord | 4 8 4 8 2. | \lhBrokenChord | - 2. ~ 4. | + 2.\arpeggio ~ 4. | gs,,8 ds' fs bs ds fs bs fs ds bs fs ds | 1. | cs8 gs' cs es gs cs es cs gs es cs gs | @@ -82,7 +106,7 @@ sixBeamException = { 1. | \lhBrokenChord | r1. | - fs,8 cs' fs a cs e? d cs b a gs fs | + fs,8 cs' fs a cs e? ds cs b a gs fs | \time 6/8 r2. | es8 d cs b a gs | @@ -100,36 +124,43 @@ sixBeamException = { g,8 df' g bf df e g e df bf g df | 1. | f,8 c' f g af c f c af g f c | - 1.\arpeggio | + 1. | es,8 gs cs es gs cs es cs gs es cs gs | 1.\arpeggio | \lhBrokenChord | r1. | \lhBrokenChord | - \set Timing.beatStructure = #'(3 3 3 3) - r2. 8( ) ( ) | - 2. 8 | + \time 9/8 + r4. 8( ) ( ) | + fs4. 8 | + \time 12/8 << { 2. s2. } \\ { s2. \grace { es,16[ gs cs es gs cs gs' cs] } gs'2. } >> | 2. ~ 4. 8 | - r2. 8( ) ( ) | - 2. 8 | + \time 9/8 + r4. 8( ) ( ) | + 4. 8 | + \time 12/8 << { 2. s2. } \\ { s2. \grace { es,16[ gs cs es gs cs gs' cs] } gs'2. } >> | 2. ~ 4. 8 | - r2. 8( ) ( ) | - 2. 8 | + \time 9/8 + r4. 8( ) ( ) | + 4. 8 | + \time 12/8 << { 2. s2. } \\ { s2. \grace { fs,16[ a d fs a d a' d] } a'2. } >> | 2. ~ 4. 8 | - r2. 8( ) ( ) | - 2. 8 | + \time 9/8 + r4. 8 | + 4. 8 | + \time 12/8 1. | 1. | @@ -152,7 +183,224 @@ sixBeamException = { fs1. | fs,8 a cs fs cs a fs a cs fs cs a | r1. | - fs8 a cs fs cs fs a fs cs fs cs a | + fs8 a cs fs cs fs a fs cs a cs fs | + + fs1. | + cs8 fs a cs a fs cs fs a cs a fs | + 4 8 4 8 2. | + cs8 fs a ds a fs cs fs a ds a fs | + 2. 4 | + d8 fs g b g fs d fs g b g fs | + 2. 4 | + df8 e g bf g e df e g bf g e | + 1. | + c8 f af c af f c f af c af f | + es1. | + cs?8 es gs cs? gs es cs es gs cs gs es | + fs1. ~ | + cs8 fs a cs a fs cs fs a cs a fs | + + \tempo "Slower" 4. = 120 + \set Timing.beatStructure = #'(3 3 3 3) + fs2. 8 | + cs2. 8 | + + \time 9/8 + 4. 8 | + 4. 8 | + + \time 12/8 + 2. \grace { es,16[ gs cs es gs cs gs' cs] } gs'4. 8 | + 2. ~ 4. 8 | + + \time 9/8 + 4. 8 | + 4. 8 | + + \time 12/8 + 2. \grace { es,16[ gs cs es gs cs gs' cs] } gs'4. 8 | + 2. ~ 4. 8 | + + \time 9/8 + 4. 8 | + 4. 8 | + + \time 12/8 + 2. \grace { fs,16[ a d fs a d a' d] } a'4. 8 | + 2. ~ 4. 8 | + + \time 9/8 + 4. 8 | + 4. 8 | + + \time 12/8 + \sixBeamException + + << { s2. g,4.\arpeggio ~ g8( fs e) } \\ { 2. 2.\arpeggio } >> | + 2. 2.\arpeggio | + + \tempo "Faster" 4. = 144 + fs'1. | + d8 fs a e' a, fs d fs a e' a, fs | + cs'4 cs8 d4 cs8 cs2. | + d8 fs e' fs e fs, d fs e' fs e fs, | + b2. ~ b4. gs | + cs8 fs b cs b fs cs fs b cs b fs | + b1. | + b,8 e fs a fs e b e fs a fs e | + a1. | + a,8 ds fs a fs ds a ds fs a fs ds | + a4 gs fs e fs g | + gs,8 ds' fs bs fs ds as e' g as g e | + fs1. ~ | + cs8 fs b cs b fs cs fs b cs b fs | + fs2. ~ fs4. \grace { e16[ fs] } g8 fs e | + cs8 fs as cs as fs cs fs as cs as fs | + + fs1. | + d8 fs a e' a, fs d fs a e' a, fs | + 4 8 4 8 2. | + d8 fs e' fs e fs, d fs e' fs e fs, | + 2.\arpeggio 4 | + e8 a b e b a e a b d b a | + 2.\arpeggio 4 | + f8 a b ds? b a f a b ds b a | + 1. | + fs8 b cs fs cs b fs b cs fs cs b | + 1.\arpeggio | + g8 b cs e cs b g b cs e cs b | + 1.\arpeggio | + fs8 b cs fs cs b fs b cs fs cs b | + 2. fs8 gs as b cs ds | + fs8 as cs fs cs as fs4. 4 8 | + + 2. ~ 4. | + \brokenMinorTenth | + 2. ~ 4. | + \transpose cs e \brokenMajorTenth | + 2. 4 | + \transpose cs b, \brokenMajorTenth | + 2. cs16[ ds es fs gs a] b cs ds es fs gs | + cs8 gs' cs es cs gs cs,2. | + + 2. ~ 4. | + \transpose cs fs \brokenMinorTenth | + 2. ~ 4. | + \transpose cs a \brokenMajorTenth | + 2. 4 | + \transpose cs e \brokenMajorTenth | + 1. | + \transpose cs fs \brokenMinorTenth | + + fs,8 gs a b cs d cs b a gs fs e | + fs8 e fs gs a b a gs fs e d cs | + fs4. | + fs4. | + 1. | + 4. 8 2. | + fs,8 gs a b cs d cs b a gs fs e | + fs'8 e fs gs a b a gs fs e d cs | + fs4. | + fs4. | + 1. | + 4. 8 2. | + + b,8 cs d e fs g fs e d cs b a | + b'8 a b cs d e d cs b a g fs | + b4. | + b4. | + 1. | + 4. 8 2. | + b,8 cs d e fs g fs e d cs b a | + b'8 a b cs d e d cs b a g fs | + b4. | + b4. | + 1. | + 4. 8 2. | + + b1. | + r8 b' d fs d b fs b d fs d b | + fs'4 fs8 gs4 fs8 fs2. | + fs8 b d gs d b fs b d gs d b | + es2. ~ es4. cs | + es,8 b' cs es cs b es, b' cs es cs b | + e?1. | + e,?8 fs as e'? as, fs e fs as e' as, fs | + 1. | + d8 fs as d as fs d fs as d as fs | + << { d4 cs b as b cs } \\ { fs,2. g2. } >> | + cs8 fs as cs as fs cs fs as cs as fs | + 1. | + b,8 d fs b fs d b d fs b fs d | + r1. | + b8 d fs b fs b d b fs d fs b | + + b1. | + fs8 b d fs d b fs b d fs d b | + 4 8 4 8 2. | + fs8 b d gs d b fs b d gs d b | + 2. 4 | + g8 b c e c b g b c e c b | + 2. 4 | + gf8 a c ef c a gf a c ef c a | + 1. | + f8 bf df f df bf f bf df f df bf | + 1. | + gf8 bf df gf df bf gf bf df gf df bf | + 1.\arpeggio | + af8 c ef af ef c af c ef af ef c | + + \key c \minor 2. 4. | + \key c \minor bf8 d f bf f d bf d f bf f d | + + \time 18/8 + \sixBeamException + + 2. ~ 4. | + g,8 b d g d b g b d g d b g b d g d b | + + \time 7/4 + \tempo "Like Bach" 4 = 90 + + \bachFugue | + \bachFugueL | + \transpose c f \bachFugue | + \transpose c f \bachFugueL | + \ottava #'1 \transpose c bf \bachFugue | + \transpose c bf \bachFugueL | + + gf'16 gf' f gf ef gf df gf af, af' gf af f af ef af a, a' gs a fs a b, b' a b gs b | + bf''16 bf' af bf gf bf f bf c, c' bf c af c gf c cs, cs' b cs a cs ds, ds' cs ds b ds | + + \key fs \minor \transpose c fs' \bachFugue | + \key fs \minor 8 + | + + \times 4/6 { a16 fs cs a fs cs } + \ottava #'0 \times 4/6 { fs cs a fs cs a } + \clef bass \times 4/6 { fs' cs a fs cs a } + \parenthesize fs8 4 4 8 r | + 4 \clef bass + 8 4 8 8 r8 | + + \tempo "Presto" 4 = 100 + + \time 6/4 + \times 4/6 { a16 fs cs a cs fs } \clef treble \times 4/6 { a cs fs a fs cs } + \times 4/6 { a' fs cs a cs fs } \times 4/6 { a cs fs a fs cs } + \times 4/6 { a' fs cs a cs fs } \ottava #'1 \times 4/6 { a cs fs a fs cs } | + 4 8 4 8 4 8 | + + \time 2/4 + a'32 fs cs a \ottava #'0 \times 4/5 { fs32[ a fs cs a] } \times 4/5 { fs a fs cs a } s8 | + 8 s4 \times 4/5 { fs''32 a fs cs a } | + + \time 4/4 + + r8 4 8 4 r8 8 | + 8 4 8 4 r8 | + 4 r4 r2 \bar "||" | + 4 r4 r2 | } \score { diff --git a/broken-tranquility.pdf b/broken-tranquility.pdf index 6b489ce..4b7a09a 100644 Binary files a/broken-tranquility.pdf and b/broken-tranquility.pdf differ