diff --git a/album3/azimuth.ly b/album3/azimuth.ly
new file mode 100644
index 0000000..153bc1f
--- /dev/null
+++ b/album3/azimuth.ly
@@ -0,0 +1,131 @@
+\version "2.24.0"
+\language "english"
+
+\header {
+  title = "The Azimuth"
+  composer = "Tommy Montgomery"
+  copyright = "(c) 2023 Tommy Montgomery"
+}
+
+global = {
+  \key g \minor
+  \set Staff.printKeyCancellation = ##f
+  \numericTimeSignature
+  \compressEmptyMeasures
+  \omit Voice.StringNumber
+  \override TupletBracket.bracket-visibility = #'if-no-beam
+  \override MultiMeasureRest.expand-limit = #3
+  \override Score.ChordName.font-name = #"Noto Serif"
+  \override Score.ChordName.font-size = #0
+  \override Score.LyricText.font-name = #"Noto Serif"
+  \override Score.LyricText.font-size = #0
+  \tempo 4 = 69
+}
+
+guitarOne = \relative c {
+  \global
+  R1*2^"drums" |
+
+  <<
+    {
+      \stemNeutral
+      \repeat unfold 3 {
+        d8 d b''4\rest b2\rest |
+      }
+
+      d,,8 d b''8\rest b16\rest d,,16 _~ d bf' c d, af' g d fs |
+    } \\
+    {
+      \new Staff \with {
+        \remove Time_signature_engraver
+        alignAboveContext = "gtr1"
+        \magnifyStaff #2/3
+        firstClef = ##f
+      } {
+        \once \override Staff.KeySignature.transparent = ##t
+        \key g \minor
+        d8^"bass" d d'8. d,16 ~ d d8 d16 d'( ef) c8 |
+        d,8 d d'8. d,16 ~ d d8 d16 c' af g f |
+        d8 d d'8. d,16 ~ d d8 d16 d' ef c8 |
+        d,8 d d'8. d,16 ~ d bf' c d, af' g d fs |
+
+      }
+    }
+  >>
+}
+
+guitarTwo = \relative c {
+  R1*2 |
+
+}
+
+
+guitarOneStaff = \new Staff = "gtr1" \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarOne }
+guitarTwoStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarTwo }
+
+
+chordExceptionMusic = {
+  <c e g b d'>1-\markup { "maj9" }
+  <c e g b fs'>1-\markup { "maj7" \sharp "11" }
+  <c ef f g bf>1-\markup { "m7sus4" }
+  <c ef gf bff>1-\markup { "°7" }
+  <c ef gf bf>1-\markup { \super { "ø7" } }
+  <c e g d'>1-\markup { "add9" }
+  <c ef g d'>1-\markup { "m(add9)" }
+  <c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
+  <c g>1-\markup { "5" }
+  <c e g bf>1-\markup { "7" }
+  <c e g b>1-\markup { "maj7" }
+  <c ef g bf>1-\markup { "m7" }
+  <c f g>1-\markup { "sus4" }
+  <c d g>1-\markup { "sus2" }
+  <c e g bf df'>1-\markup { "7" \super { \flat "9" } }
+  <c e g f'>1-\markup { "add11" }
+}
+
+chordExceptions = #(append
+  (sequential-music-to-chord-exceptions chordExceptionMusic #t)
+  ignatzekExceptions
+)
+
+chordValues = \chordmode {
+  \global
+  \set chordNameExceptions = #chordExceptions
+  \set majorSevenSymbol = \markup "maj7"
+
+}
+
+chordNames = \new ChordNames {
+  \set chordChanges = ##t
+  \set chordNameExceptions = #chordExceptions
+  \chordValues
+}
+
+\score {
+  <<
+    \chordNames
+    \guitarOneStaff
+    \guitarTwoStaff
+  >>
+  \layout {
+    \context {
+      \Staff \RemoveEmptyStaves
+      \override Glissando.minimum-length = #4
+      \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
+      \override Glissando.thickness = #2
+      \override VerticalAxisGroup.remove-first = ##t
+    }
+  }
+}
+
+
+\score {
+  \unfoldRepeats {
+    <<
+      \transpose c c, \guitarOneStaff
+      \transpose c c, \guitarTwoStaff
+    >>
+  }
+  \midi {}
+}
+
diff --git a/album3/azimuth.pdf b/album3/azimuth.pdf
new file mode 100644
index 0000000..76ff6e0
Binary files /dev/null and b/album3/azimuth.pdf differ
diff --git a/album3/instrumental4.ly b/album3/instrumental4.ly
new file mode 100644
index 0000000..9df51af
--- /dev/null
+++ b/album3/instrumental4.ly
@@ -0,0 +1,223 @@
+\version "2.24.0"
+\language "english"
+
+\header {
+  title = "Last Refuge"
+  composer = "Tommy Montgomery"
+  copyright = "(c) 2023 Tommy Montgomery"
+}
+
+global = {
+  \key d \minor
+  \set Staff.printKeyCancellation = ##f
+  \numericTimeSignature
+  \compressEmptyMeasures
+  \omit Voice.StringNumber
+  \override TupletBracket.bracket-visibility = #'if-no-beam
+  \override MultiMeasureRest.expand-limit = #3
+  \override Score.ChordName.font-name = #"Noto Serif"
+  \override Score.ChordName.font-size = #0
+  \override Score.LyricText.font-name = #"Noto Serif"
+  \override Score.LyricText.font-size = #0
+  \tempo 4 = 168
+}
+
+tappingIntroRiffD = \relative c'' {
+  a'8^"+"( d,) d^"+"( g,) e'^"+"( a,) a^"+"
+  a'8^"+"( d,) d^"+"( g,) e'^"+"( a,) a^"+"( d,) |
+}
+tappingIntroRiffBFlat = \relative c'' {
+  bf'8^"+"( d,) d^"+"( g,) e'^"+"( bf) a^"+"
+  bf'8^"+"( d,) d^"+"( g,) e'^"+"( bf) a^"+"( d,) |
+}
+
+guitarOne = \relative c'' {
+  \global
+  \compoundMeter #'((7 8) (4 4))
+  \set Timing.beatStructure = 4,3,2,2,2,2
+  % \set Timing.beamExceptions =
+%     \beamExceptions {
+%       { 8[ 8 8 8] 8[ 8 8] 8[ 8 8 8] 8[ 8 8 8] }
+%       { 4 4 8[ e e] 4 4 16[ 16 16 16] 16[ 16 16 16] }
+%     }
+
+  % \time 4,3,4,4 15/8
+
+  \repeat volta 4 \tappingIntroRiffD
+  \repeat unfold 3{
+    \tappingIntroRiffD
+    \tappingIntroRiffBFlat
+  }
+
+  bf'8^"+"( ef,) d^"+"( a) ef'^"+"( bf) a^"+"
+  bf'8^"+"( ef,) d^"+"( a) ef'^"+"( bf) a^"+"( ef) |
+
+  d16[( ef f) g]( a bf)
+  ef,( f g)[ a( bf c)]
+  g( a bf) c( d ef)
+  d( ef f) g( a bf)
+  a( bf c) d( ef f)
+  |
+
+
+
+  \bar "||"
+  \key g \minor
+  \repeat unfold 2 {
+    \repeat unfold 2 { g,,,4 g ef'8 c d g,4 g ef'8 c d bf | }
+    f4 f d'8 bf c f,4 f d'8 bf c a |
+  }
+  \alternative {
+    { f4 f df'8 bf c f,4 f df'8 bf c af | }
+    { fs4 fs d'8 bf c fs,4 fs bf'16( g) fs( d) ef( d) bf( a) | }
+  }
+
+  g4 g ef'8 c d g,4 g ef'8 c d bf |
+  a4 a f'8 df ef a,4 a f'8 df ef c |
+  bf4 bf gf'8 ef f bf,4 bf gf'8 ef f df |
+  c4 c af'8 f g! c,4 c af'8 fs g ef |
+
+  d8 ef fs a! c d ef d[ ef fs a!] c[ d ef fs] |
+
+  \repeat unfold 2 {
+    \repeat unfold 2 { \repeat unfold 8 { g,,,16 } ef'8 c d \repeat unfold 8 { g,16 } ef'8 c d bf | }
+    \repeat unfold 8 { f16 } d'8 bf c \repeat unfold 8 { f,16 } d'8 bf c a |
+  }
+  \alternative {
+    { \repeat unfold 8 { f16 } df'8 bf c \repeat unfold 8 { f,16 } df'8 bf c af | }
+    { \repeat unfold 8 { fs16 } d'8 bf c \repeat unfold 8 { fs,16 } ef'4 d | }
+  }
+
+  g,8 g' d ef c d f g1 |
+  f,8 f' c d bf c ef f1 |
+  c8 c' g af f g bf c1 |
+  <g, c>4 q8 q q q r <g cs>8 q r q <fs c'> q r q |
+
+  R1*15/8*6 |
+  <e bf'>8 q q q r4 q8 q q q4 q8 q q4 |
+  <a e'>8 q q q r4 q8 <a ef'> q q4 <fs c'>8 q q4 |
+
+   \repeat unfold 2 {
+    \repeat unfold 2 { g4 g ef'16[ ef c c] d!8 g,4 g ef'16 ef c c d8 bf | }
+    f4 f d'16[ d bf bf] c8 f,4 f d'16 d bf bf c8 a |
+  }
+  \alternative {
+    { f4 f df'16[ df bf bf] c8 f,4 f df'16[ df bf bf] c8 af | }
+    { fs4 fs d'16[ d bf bf] c8 fs,4 fs ef'16 ef c c d4 | }
+  }
+
+  \repeat unfold 4 { <g, d' g bf d g>2.. ~ q2.. q16 q16 | }
+
+  % acoustic solo, flamenco-ish
+  g'4. g8 g[( af16 g]\glissando fs8) g a bf d g a bf g |
+  a4. a8 a[( bf16 a]\glissando gs8) a4. cs16( e cs) a e cs a8 cs |
+  d4. d16 d d8 bf a g fs g a ef d c fs |
+
+
+
+}
+
+guitarTwo = \relative c {
+  \global
+
+  \repeat volta 4 { R1*15/8 } |
+
+  <d a' d>2.. ~ q1 |
+  <d d' bf'>2 ~ q8 <d d' a'>4 <bf' d g>2 ~ q8 f4. |
+  <d a' d>2. <c' g'>8 <d a'>1 |
+  bf4. d8 ~ d4 a'8\glissando( bf4\glissando a) g2 |
+  <d, a' d>4. d16 d <d a'>8 <g d'> <f c'> <d' g b>1 |
+  <f, c'>2 ~ q8 <g d'>4 <e c'>4. d8 bf' a4. |
+
+  <ef bf'>4 ef16 ef ef ef <ef bf'>8 <f c'>4 <ef bf'>4 ef16 ef ef ef <ef bf'>8 <f c'>4. |
+  <ef bf'>8( <d a'>) q <ef bf'>8( <d a'>) q <ef bf'>8( <d a'>) q <ef bf'>8( <d a'>) <ef bf'>( <f c'>) <ef bf'>( <d a'>) |
+
+  \key g \minor
+  R1*15/8*8 |
+  R1*15/8*5 |
+  R1*15/8*8 |
+
+  r2 r4. g'8 g' c, d ef16 d c8 bf g |
+  a2.. f8 f' bf, c df16( c bf) af f8 df |
+  c2.. c'8 c' f, g af16 g f8 g16 af bf8 |
+  c g c, g' c g c, cs' g cs, g' d' a! fs c |
+
+  \repeat unfold 2 { g, g' d ef c d f g g, g' d ef c d f | }
+  f, f' c d bf c ef f f, f' c d bf c ef |
+  f, f' c df bf c ef f f, f' c df bf c df |
+  \repeat unfold 2 { c c' g af f g bf c c, c' g af f g bf | }
+  <c, g' c>8 q q q r4 q8 q q q4 q8 q q4 |
+  <cs g' cs>8 q q q r4 q8 <d a' d> q q4 q8 q q4 |
+
+}
+
+guitarOneStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarOne }
+guitarTwoStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarTwo }
+
+chordExceptionMusic = {
+  <c e g b d'>1-\markup { "maj9" }
+  <c e g b fs'>1-\markup { "maj7" \sharp "11" }
+  <c ef f g bf>1-\markup { "m7sus4" }
+  <c ef gf bff>1-\markup { "°7" }
+  <c ef gf bf>1-\markup { \super { "ø7" } }
+  <c e g d'>1-\markup { "add9" }
+  <c ef g d'>1-\markup { "m(add9)" }
+  <c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
+  <c g>1-\markup { "5" }
+  <c e g bf>1-\markup { "7" }
+  <c e g b>1-\markup { "maj7" }
+  <c ef g bf>1-\markup { "m7" }
+  <c f g>1-\markup { "sus4" }
+  <c d g>1-\markup { "sus2" }
+  <c e g bf df'>1-\markup { "7" \super { \flat "9" } }
+  <c e g f'>1-\markup { "add11" }
+}
+
+chordExceptions = #(append
+  (sequential-music-to-chord-exceptions chordExceptionMusic #t)
+  ignatzekExceptions
+)
+
+chordValues = \chordmode {
+  \global
+  % \powerChords
+  \set chordNameExceptions = #chordExceptions
+  \set majorSevenSymbol = \markup "maj7"
+
+
+}
+
+chordNames = \new ChordNames {
+  \set chordChanges = ##t
+  \set chordNameExceptions = #chordExceptions
+  \chordValues
+}
+
+\score {
+  <<
+    \chordNames
+    \guitarOneStaff
+    \guitarTwoStaff
+  >>
+  \layout {
+    \context {
+      \Staff \RemoveEmptyStaves
+      \override Glissando.minimum-length = #4
+      \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
+      \override Glissando.thickness = #2
+      \override VerticalAxisGroup.remove-first = ##t
+    }
+  }
+}
+
+
+\score {
+  \unfoldRepeats {
+    <<
+      \transpose c c, \guitarOneStaff
+      \transpose c c, \guitarTwoStaff
+    >>
+  }
+  \midi {}
+}
+
diff --git a/album3/instrumental4.pdf b/album3/instrumental4.pdf
new file mode 100644
index 0000000..f327ec4
Binary files /dev/null and b/album3/instrumental4.pdf differ
diff --git a/album3/instrumental5.ly b/album3/instrumental5.ly
new file mode 100644
index 0000000..9fb2e15
--- /dev/null
+++ b/album3/instrumental5.ly
@@ -0,0 +1,118 @@
+\version "2.24.0"
+\language "english"
+
+\header {
+  title = "Another One"
+  composer = "Tommy Montgomery"
+  copyright = "(c) 2024 Tommy Montgomery"
+}
+
+global = {
+  \key d \phrygian
+  \set Staff.printKeyCancellation = ##f
+  \numericTimeSignature
+  \compressEmptyMeasures
+  \omit Voice.StringNumber
+  \override TupletBracket.bracket-visibility = #'if-no-beam
+  \override MultiMeasureRest.expand-limit = #3
+  \override Score.ChordName.font-name = #"Noto Serif"
+  \override Score.ChordName.font-size = #0
+  \override Score.LyricText.font-name = #"Noto Serif"
+  \override Score.LyricText.font-size = #0
+  \tempo 4 = 116
+}
+
+guitarOne = \relative c' {
+  \global
+  \time 6/4
+
+  d'16( d,) c'( d,) d'( d,) d c'( d,) d'( d,) d c'( d,) d'( d,) d c'( d,) d'( d,) ef'( d,) c' |
+
+  \repeat unfold 2 {
+    d,8 d16 d d ef f g ~ g d ef f af8 d,16 ef f g8 d16 ef f ef c |
+  }
+  \alternative {
+    { d8 d16 d d ef f g ~ g f ef d bf8 g16 g g a bf c ~ c d ef c | }
+    { d8 d16 d g( af) d, c' ~ c8 d,16 d d'4 \tuplet 6/4 { ef16( c) af g f ef } c4 | }
+  }
+
+
+}
+
+guitarTwo = \relative c {
+  \global
+
+
+
+}
+
+guitarOneStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarOne }
+guitarTwoStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarTwo }
+
+chordExceptionMusic = {
+  <c e g b d'>1-\markup { "maj9" }
+  <c e g b fs'>1-\markup { "maj7" \sharp "11" }
+  <c ef f g bf>1-\markup { "m7sus4" }
+  <c ef gf bff>1-\markup { "°7" }
+  <c ef gf bf>1-\markup { \super { "ø7" } }
+  <c e g d'>1-\markup { "add9" }
+  <c ef g d'>1-\markup { "m(add9)" }
+  <c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
+  <c g>1-\markup { "5" }
+  <c e g bf>1-\markup { "7" }
+  <c e g b>1-\markup { "maj7" }
+  <c ef g bf>1-\markup { "m7" }
+  <c f g>1-\markup { "sus4" }
+  <c d g>1-\markup { "sus2" }
+  <c e g bf df'>1-\markup { "7" \super { \flat "9" } }
+  <c e g f'>1-\markup { "add11" }
+}
+
+chordExceptions = #(append
+  (sequential-music-to-chord-exceptions chordExceptionMusic #t)
+  ignatzekExceptions
+)
+
+chordValues = \chordmode {
+  \global
+  % \powerChords
+  \set chordNameExceptions = #chordExceptions
+  \set majorSevenSymbol = \markup "maj7"
+
+
+}
+
+chordNames = \new ChordNames {
+  \set chordChanges = ##t
+  \set chordNameExceptions = #chordExceptions
+  \chordValues
+}
+
+\score {
+  <<
+    \chordNames
+    \guitarOneStaff
+    \guitarTwoStaff
+  >>
+  \layout {
+    \context {
+      \Staff \RemoveEmptyStaves
+      \override Glissando.minimum-length = #4
+      \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
+      \override Glissando.thickness = #2
+      \override VerticalAxisGroup.remove-first = ##t
+    }
+  }
+}
+
+
+\score {
+  \unfoldRepeats {
+    <<
+      \transpose c c, \guitarOneStaff
+      \transpose c c, \guitarTwoStaff
+    >>
+  }
+  \midi {}
+}
+
diff --git a/album3/instrumental5.pdf b/album3/instrumental5.pdf
new file mode 100644
index 0000000..f82c43d
Binary files /dev/null and b/album3/instrumental5.pdf differ
diff --git a/album3/instrumental6-kui.ly b/album3/instrumental6-kui.ly
new file mode 100644
index 0000000..b820c94
--- /dev/null
+++ b/album3/instrumental6-kui.ly
@@ -0,0 +1,423 @@
+\version "2.24.0"
+\language "english"
+
+\header {
+  title = "Castles in the Sky"
+  composer = "Tommy Montgomery"
+  copyright = "(c) 2024 Tommy Montgomery"
+}
+
+global = {
+  \key e \minor
+  \set Staff.printKeyCancellation = ##f
+  \numericTimeSignature
+  \compressEmptyMeasures
+  \omit Voice.StringNumber
+  \override TupletBracket.bracket-visibility = #'if-no-beam
+  \override MultiMeasureRest.expand-limit = #3
+  \override Score.ChordName.font-name = #"Noto Serif"
+  \override Score.ChordName.font-size = #0
+  \override Score.LyricText.font-name = #"Noto Serif"
+  \override Score.LyricText.font-size = #0
+  \tempo 4 = 81
+}
+
+mainBRiff = \relative c' {
+  ds16 b e b fs' b, ds e b fs' b, ds g b, fs' b, e b fs' b,
+}
+
+guitarOne = \relative c' {
+  \global
+  \time 5/4
+
+  \ottava #1
+  \repeat volta 4 { \transpose c c'' \mainBRiff^"4x" | }
+  \repeat unfold 4 { \transpose c c'' \mainBRiff }
+  \repeat unfold 2 { \transpose c c'' \mainBRiff }
+  e'' c fs c g' c, e fs c g' c, g' a d, g d fs d g d |
+  e g a e b' e, g a e b' e, a c b a g fs g fs e |
+
+  ds2. \ottava #0 r2 | R1*5/4*7 |
+
+  \repeat unfold 2 \transpose c c' \mainBRiff |
+  \repeat volta 2 \transpose c c' \mainBRiff |
+
+  \time 4/4
+  e,2.. g8 | fs2.. d8 | b2.. fs'8 | e1 |
+  e,2.. g8 | fs2.. g8 | a2.. c8 | b1 |
+
+  \time 7/16
+  \repeat unfold 2 {
+    \repeat unfold 3 { b,8[ b16] c8[ a8] | }
+  }
+  \alternative {
+    { g16[ fs e] fs[ e g a] | }
+    { g16[ e' fs a] b[ c,8] | }
+  }
+
+  \repeat unfold 3 { b16[ b32 b b b] c16[ c32 c a16 a32 a] | }
+  <g d'>16[(\glissando <fs cs'>) e] <fs cs'>([ e) <g d'>\glissando( <a e'>)] |
+  \repeat unfold 3 { <b fs'>16[ b32 b b b] <c g'>16[ c32 c <a e'>16 a32 a] | }
+  <f c' f>8. <g d' g>8[ <a e' a>] |
+
+  \bar "||"
+  b16[( d) fs( e)] g[ a c] |
+  b[( c) a g] fs[( g) ds] |
+  e[( g) bf( a)] b[ d! f] |
+  e[( f) gs a] b[(\glissando c) as] |
+
+  b[ c a! ds,] e[ g! b] |
+  bf,[ cs e g] a[( bf) g] |
+  fs[( g) ef d] cs[ g' as] |
+  b[ fs, g! b] ds[( e) as,]
+
+  b[( d!) fs( e)] g[ a! c] |
+  b[( c) a g] fs[( g) ds] |
+  e[( g) bf( a)] \ottava #1 b[ d! f] |
+  e[( f) gs( a)] b[(\glissando c) as] |
+
+  b[( fs) g( fs)] e[ b a!] \ottava #0 |
+  b[( fs) g( fs)] e[ b a] |
+  b[( c) b( as)] b[ e,,8] |
+  R1*2/4^"double other" |
+
+  R1*2/4*8 |
+
+  \ottava #1
+  \repeat unfold 4 { e'''16 b fs' b, g' b, e fs b, g' b, e a b, g' b, fs' b, g' b, | }
+  c e g c, a' c, e g c, a' c, e b' c, a' c, g' c, a' c, |
+  \repeat unfold 2 { e c g' c, a' c, e g c, a' c, e b' c, a' c, g' c, a' c, | }
+  b d e b g' b, d e b g' b, d b d e b gs' b, d( e) \ottava #0 |
+
+  \key a \minor
+
+  r8 b8 c8 r16 b16 ~ b c8. |
+  r8 f,8 g8 r16 f16 ~ f g8. |
+  r8 a8 g8 r16 a16 ~ a g8. |
+  r8 g8 a8 r16 g16 ~ g a8. |
+
+  r8 <b d>8 <c e>8 r16 <b d>16 ~ q <c e>8. |
+  r8 <c e>8 <b d>8 r16 <c e>16 ~ q <b d>8. |
+  r8 <a c>8 <b d>8 r16 <a c>16 ~ q <b d>8. |
+  r8 <c e>8 <b d>8 r16 <c e>16 ~ q <b d>8. |
+
+  \ottava #1
+  r8 <a c>8 <b d>8 r16 <c e>16 ~ q <b d>8. |
+  r8 <a c e>8 <b d e>8 r16 <c e a>16 ~ q <b d e>8. |
+  r8 <a c a'>8 <b d b'>8 r16 <c e c'>16 ~ q <b d b'>8. |
+  r8 <a c a'>8 <gs b gs'>8 r16 <f a d f>16 ~ q <d f a d>8. |
+  \ottava #0
+
+  \key e \mixolydian
+
+  R1*2 |
+
+  gs2 e4 gs8 a | b4 \grace b8( c8 b) a4. b16( a) |
+  gs2 e4 gs8( a16 gs) | fs2. a4 |
+
+  gs2 e4 gs8 a | b4 \grace b8( c8 b) c2 ~ |
+  c4 b8 a16 c d4 c8 b16 d | \ottava #1 << { r2 c'16 b a g fs g fs e } \\ { e1 } >> |
+
+  \key e \minor
+  \time 5/4
+
+
+
+  \repeat unfold 2 { \transpose c c'' \mainBRiff }
+  e16 c fs c g' c, e fs c g' c, g' a d, g d fs d g d |
+  e g a e b' e, g a e b' e, a c b a g fs g fs e \ottava #0 |
+
+
+  \mainBRiff^"lots of harm."
+
+  \mainBRiff
+  \mainBRiff
+  \time 17/16
+  ds,,16->[ b ds] e->[ b] fs'->[ b, fs'] g->[ b,] a'->[ b, a'] b8->[ c->] |
+
+  \time 5/4
+  b8. b16 b' b, r8 b16 b' b, b' a c ds fs e b a c |
+  b8. b,16 b' b, r8 b16 b' b, b' c a b ds e fs e ds |
+  b8. b,16 b' b, r8 b16 b' b, b' a c ds fs e b a c |
+  b8 c16 a b8. g16 e fs8. fs16 ds e \tuplet 3/2 { ds32( e ds) } \tuplet 6/4 { c16 b a b c a } |
+
+  b16 b' c a b b, b' c a b b, b' c a b fs g e fs ds  |
+  b b' c a b b, b' c a b b, b' c a b ds e fs b fs  |
+  b,, b' c a b b, b' c a b b, b' c a b fs g e fs b,  |
+
+  \time 19/16
+  ds16->[ b ds] e->[ b] fs'->[ b, fs'] g->[ b,] a'->[ b, a'] b8->[ c-> d!->] |
+
+
+
+  \key e \mixolydian
+
+  gs,2.^"w/ strings" e4. gs4 a8 | b4. ~ b8 \grace b8( c b) a4. ~ a4 b16( a) |
+  gs2. e4. gs4( a16 gs) | fs2. ~ fs4. a4. |
+
+  gs2. e4. gs4 a8 | b4. ~ b8 \grace b8( c b) c2. ~ |
+  c4. b8 a c d4. c8 b d | e1. |
+
+  \transpose c f' \mainBRiff^"repeat and fade" |
+
+  \bar "|."
+
+}
+
+guitarTwo = \relative c {
+  \global
+
+  \repeat volta 4 { R1*5/4 }
+
+  <fs b fs'>4 ~ q8. q16 ~ q q8 r16 r2 |
+  <fs b fs'>4 ~ q8. e32 e e e <e a e'>8. q8 q r8 e32 e e e |
+  <fs b fs'>4 ~ q8. q16 ~ q q8 r16 r2 |
+  ds'16 b e\glissando( g) fs8. g16 ~ g e a\glissando( c) b4 e,8 fs |
+
+  <b, fs'>2. ~ q4 <a e'>8 q | <b fs'>2. ~ q4 <a e'>8 <b fs'> |
+  <c g'>2. <d a'>2 | <e, b'>2. a'16 g fs e d? e d c |
+
+  b16 b' c a b b, b' c a b b, b' c a b fs g e fs ds  |
+  b b' c a b b, b' c a b b, b' c a b ds e fs b fs  |
+  b,, b' c a b b, b' c a b b, b' c a b fs g e fs ds  |
+  b b' c a b b, fs' g e fs b, e fs ds e \tuplet 3/2 { ds32( e ds) } \tuplet 3/2 { c16 b a } g fs |
+
+  e e' f d e e, e' f d e e, e' f d e\glissando( f) a d f( e) |
+  e,, e' f d e e, e' f d e e, e' f d e e, a c b f |
+  e e' f d e e, e' f d e e, e' f d e\glissando( f) a d f( d) |
+  e e' f d e b c a b f8. \tuplet 6/4 4 { g16 f e d c b a g f e d c } |
+
+  b8 b b r16 b16 ~ b b8 r16 <c g'>4 <a e'> |
+  b8 b b r16 b16 ~ b b8 r16 <a e'>4 <c g'> |
+
+  \repeat volta 2 {
+    <b fs'>16 b32 b <b fs'>16 b32 b <b fs'>16 b32 b b b
+      <b fs'>16 b32 b <b fs'>16 b32 b b b g'32 g g g fs fs fs fs e e e e fs fs fs fs |
+  }
+
+  \time 4/4
+  \repeat unfold 2 {
+    c16^"clean" e g b e b g e c e g b e b g e |
+    d fs g d' e d g, fs d fs g d' e d g, fs |
+  }
+  \alternative {
+    { \repeat unfold 2 { e, b' e g e' b g e e, b' e g e' b g e | } }
+    {
+      a, e' b' c e c b e, a, e' b' c e c b e, |
+      <e, b' e>8 q16 q ~ q <f c' f>8 <g d' g>16 ~ q4 ~ q16 <a e' a>8. |
+    }
+  }
+
+  \bar "||"
+
+  \repeat unfold 3 { b16[ fs' c' b] e[ b c] | }
+  g,[ e' b' b] e[ b b] |
+  \repeat unfold 3 { b,16[ fs' c' b] e[ b c] | }
+  g,[ e' b' b] f,[ c' d] |
+  \repeat unfold 3 { b16[ fs' c' b] e[ b c] | }
+  g,[ e' b' b] e[ b b] |
+  \repeat unfold 3 { b,16[ fs' c' b] e[ b c] | }
+  f,,[ c' f] g[ d] a8 |
+
+  % modulation mayhem
+  R1*7/16*8 |
+  fs'16[ b d( cs)] e[ fs g] |
+  fs[( g) fs e] ds[( e) a,] |
+  b[ e g( fs)] f[ b d] |
+  b[( d) e( f)] fs[( g) e] |
+
+  fs[ b, c( b)] a[ fs\glissando( e)] |
+  fs[ b, c( b)] a[ fs\glissando( e)] |
+  b[ c b as] b[ e,8] |
+
+  \time 2/4 <f c' f>8 f16 <g d' g> ~ q <a e' a>8 b16 ~ |
+
+  b( d) fs!( e) g a c b ~ |
+  b( c) a g fs( g) ds e ~ |
+  e( g) bf( a) b d! f e ~ |
+  e( f) gs( a) b\glissando( c) as b ~ |
+
+  b b, e fs! g! fs e c ~ | c c, fs g a g fs d ~ |
+  d a d e f e d a | \tuplet 6/4 4 { bf b a bf gs a g gs fs g f fs } |
+
+  \time 5/4
+
+  <e b' e>4 ~ q8. q16 r q r8 r2 |
+  <e b' e>4 ~ q8. <a e' a>16 r <a e' b'> r8 c'16 b a fs e c b g |
+  e32 e e e <e b' e>16 e32 e <e b' e>16 r8. r4 a8 g fs g |
+  e8 fs g8 r16 a16 ~ a b8 r16 c b c d e g fs d |
+
+  e a b e, c' e, a b e, c' e, a d e, c' e, b' e, c' e, |
+  a f b f c' f, a b f c' f, a d f, c' f, b f c' f, |
+  a fs! b fs c' fs, a b fs c' fs, a d fs, c' fs, b fs c' fs, |
+  g b c g d' g, b c g d' g, b gs b c gs d' gs, b( c) |
+
+  \time 3/4
+  \key a \minor
+  a,16 a <a e' b'> a <a e' c'> a a <a e' b'> a <a e' c'> a a |
+  f f <f c' f> f <f c' g'> f f <f c' f> f <f c' g'> f f |
+  g g <g d' a'> g <g d' g> g g <g d' a'> g <g d' g> g g |
+  a a <a e' g> a <a e' a> a a <a e' g> a <a e' a> a a |
+
+  a a <a e' b'> a <a e' c'> a a <a e' b'> a <a e' c'> a a |
+  b b <b f' c'> b <b f' b> b b <b f' c'> b <b f' b> b b |
+  c c <c e a> c <c e b'> c c <c e a> c <c e b'> c c |
+  d d <d f c'> d <d f b> d d <d f c'> d <d f b> d d |
+
+  \repeat unfold 3 { e e <e a> e <e b'> e e <e c'> e <e b'> e e | }
+  e e <e a> e <e gs> e e <d a'> d <d a'>8. |
+
+  \bar "||"
+
+  \time 4/4
+  \key e \mixolydian
+  \repeat unfold 2 {
+    e,16 e <e b' e> e <e b' e> e e <e b' e> e <e b' e> e e e e e e |
+  }
+
+  \repeat unfold 3 {
+    e16 e <e b' e> e <e b' e> e e <e b' e> e <e b' e> e e e e e e |
+  }
+  b' b <b fs' b> b <b fs' b> b b <b fs' b> b <b fs' b> b b c b a gs |
+
+  e16 e <e b' e> e <e b' e> e e <e b' e> e <e b' e> e e e e e e |
+  fs fs <fs b fs'> fs <fs b fs'> fs fs <fs b fs'> fs <fs b fs'> fs fs fs fs fs fs |
+  g g <g c g'> g <g c g'> g g g a a <a d a'> a <a d a'> a a a |
+  <e b' e gs b e>8. q16 ~ q8 q <e c' fs a b e>2 |
+
+  \key e \minor
+
+  \repeat unfold 2 { <fs b fs'>8 q q r16 q r q r8 q q q q | }
+  <g c g'>8 q q r16 q r q r8 <a d a'> q q q |
+  <e b' e>8 q q r16 q r q r8 c'16 b a g fs g fs e |
+
+  R1*5/4*2 |
+  <fs b fs'>16-> fs q-> fs q-> fs fs q-> fs q-> fs fs g' b, fs' b, e b fs' b, |
+
+  <fs b fs'>8 r16 <fs b fs'>8 q  r16 q8 q r16 b8[ a] |
+
+  \repeat unfold 2 {
+    b16 b' c a b b, b' c a b b, b' c a b fs g e fs ds  |
+    b b' c a b b, b' c a b b, b' c a b ds e fs b fs  |
+    b,, b' c a b b, b' c a b b, b' c a b fs g e fs
+
+  }
+  \alternative {
+    { ds  | b b' c a b b, fs' g e fs b, e fs ds e \tuplet 3/2 { ds32( e ds) } \tuplet 6/4 { c16 b a b c a } | }
+    {
+      b |
+      ds16->[ b ds] e->[ b] fs'->[ b, fs'] g->[ b,] a'->[ b, a'] a,8->[ g-> fs->] |
+    }
+  }
+
+
+  \time 12/8
+  \tempo 4. = 54
+  \key e \mixolydian
+
+  <e b' e>4. <b'' e> <e,, b' e> <b'' e>8 gs, a |
+  <e b' e>4. <b'' e> <e,, c'>4. c'8 b a |
+  <e b' e>4. <b'' e> <e,, b' e> <b'' e>8 gs, a |
+  b4. ds fs c8 a fs |
+
+  <e b' e>4. <b'' e> <e,, b' e> <b'' e>8 gs, a |
+  <fs b fs'>2. <e c' a'>4. b'8 a b |
+  <g c g'>4. c8 b c <a d a'>4. a8 g fs |
+  e4. e8 gs! b c4. a |
+
+  \time 5/4
+  <e b' e gs b e>2. ~ q2\fermata |
+
+}
+
+guitarOneStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarOne }
+guitarTwoStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarTwo }
+
+chordExceptionMusic = {
+  <c e g b d'>1-\markup { "maj9" }
+  <c e g b fs'>1-\markup { "maj7" \sharp "11" }
+  <c ef f g bf>1-\markup { "m7sus4" }
+  <c ef gf bff>1-\markup { "°7" }
+  <c ef gf bf>1-\markup { \super { "ø7" } }
+  <c e g d'>1-\markup { "add9" }
+  <c ef g d'>1-\markup { "m(add9)" }
+  <c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
+  <c g>1-\markup { "5" }
+  <c e g bf>1-\markup { "7" }
+  <c e g b>1-\markup { "maj7" }
+  <c ef g bf>1-\markup { "m7" }
+  <c f g>1-\markup { "sus4" }
+  <c d g>1-\markup { "sus2" }
+  <c e g bf df'>1-\markup { "7" \super { \flat "9" } }
+  <c e g f'>1-\markup { "add11" }
+}
+
+chordExceptions = #(append
+  (sequential-music-to-chord-exceptions chordExceptionMusic #t)
+  ignatzekExceptions
+)
+
+chordValues = \chordmode {
+  \global
+  % \powerChords
+  \set chordNameExceptions = #chordExceptions
+  \set majorSevenSymbol = \markup "maj7"
+
+  \repeat volta 4 { b1*5/4 | }
+  \repeat unfold 4 b1*5/4 |
+
+  b1*5/4 | q | c2. d2 | e2.:m a2:m |
+
+  b1*5/4 | q | q | q |
+  e:m | q | q | q |
+
+  b1*5/4 | q | \repeat volta 2 q |
+
+  c1:maj7 | d | e:m | e4:m e:m/fs e:m/g e:m/a |
+  c1:maj7 | d | a:1.3-.5.9 | e4:5 q16 f8:5 g4.:5 a8.:5 |
+
+  b1*7/16:1.3.5.7.9- | q | q | e:m/g |
+  b1*7/16:1.3.5.7.9- | q | q | e4:m/g f8.:1.3.5.11+ |
+  b1*7/16:1.3.5.7.9- | q | q | e:m/g |
+  b1*7/16:1.3.5.7.9- | q | q | f8.:5 g8:5 a:5 |
+
+  % modulation mayhem
+  b4:m a8.:m | c4:maj7 b8.:7/ds | e4:dim b8.:dim | e4:1.3.5.7.9- fs8.:1.3.5-.7 |
+  b4:1.3.5.7.9- e8.:m | bf4:dim7 g8.:m | d4:1.3.5.7.9- a8:1.3.5.7.9- fs16:1.3.5.7.9-/as | b8:m g fs8.:7 |
+
+}
+
+chordNames = \new ChordNames {
+  \set chordChanges = ##t
+  \set chordNameExceptions = #chordExceptions
+  \chordValues
+}
+
+\score {
+  <<
+    \chordNames
+    \guitarOneStaff
+    \guitarTwoStaff
+  >>
+  \layout {
+    \context {
+      \Staff \RemoveEmptyStaves
+      \override Glissando.minimum-length = #4
+      \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
+      \override Glissando.thickness = #2
+      \override VerticalAxisGroup.remove-first = ##t
+    }
+  }
+}
+
+
+\score {
+  \unfoldRepeats {
+    <<
+      \transpose c c, \guitarOneStaff
+      \transpose c c, \guitarTwoStaff
+    >>
+  }
+  \midi {}
+}
+
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