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Author SHA1 Message Date
8cae888c77 some kind of real thing 2023-07-22 15:43:10 -07:00
f258069cfd calling out a name 2023-07-22 15:42:57 -07:00
38dbb40a07 finished fait weather friend 2023-07-22 15:41:59 -07:00
6 changed files with 418 additions and 65 deletions

View File

@ -2,7 +2,7 @@
\language "english"
\header {
title = "Solid Opener"
title = "Calling Out a Name"
composer = "Tommy Montgomery"
copyright = "(c) 2023 Tommy Montgomery"
}
@ -122,7 +122,7 @@ guitarOne = \relative c' {
{ r8 <e b' e>8 r8 e16 e f a b c e f a b | }
}
R1^"original riff" | R1*6 | r8 <f, c' f>4. ~ q8 <g d' g>4 e16( g\glissando |
R1^"original riff" | R1*6 | <e,, b' e>4.\repeatTie <f c' f>8 ~ q8 <g d' g>4 e16( g\glissando |
% pre-chorus
@ -146,13 +146,13 @@ guitarOne = \relative c' {
% chorus
\key e \minor
\repeat unfold 2 {
<e,, b' e>2 e8 fs g <e b' e> ~ |
q2 e8 fs g <a e' a> ~ |
<e,, b' e>4. e16 e e8 fs g <e b' e> ~ |
q4. e16 e e8 fs g <a e' a> ~ |
q8 a <e' b'> a, <e' c'>( b') r <a, e' a> ~ |
}
\alternative {
{ q a <e' b'> a, <e' c'>( b') r g,16 fs | }
{ <a e' a>8 a <e' b'> a, <e' c'>( b') r <b, fs' b> ~ }
{ q a <e' b'> a, b'16( c b) a b4 | }
{ <a, e' a>8 a <e' b'> a, <e' c'>( b') r <b, fs' b> ~ }
}
q8 c \tuplet 3/2 { b16( c b) } a8 b a b <c g' c> ~ |
@ -166,7 +166,7 @@ guitarOne = \relative c' {
<b fs' b>8 b16 b b b <a e' a>8 a16 a a a <b fs' b>8 b16 c d c b d c b a8 |
}
<b fs' b>8 b16 b b b <c g' c>8 c16 c c c <d a' d>2. ~ |
\time 4/4 q2 ~ q8 d16 e f8 e16 d |
\time 4/4 q2 ~ q8 <f c' f>4. |
\key e \phrygian
\mainRiff
@ -198,7 +198,7 @@ guitarOne = \relative c' {
% chorus
\key e \minor
R1*14 | \time 6/4 R1*4*6/4 | \time 4/4 R1 |
R1*14^"chorus" | \time 6/4 R1*4*6/4 | \time 4/4 R1 |
% instrumental interlude
\key e \phrygian
@ -270,14 +270,22 @@ guitarOne = \relative c' {
R1*3 | \time 6/4 R1*6/4 |
\time 4/4 R1*3 | \time 6/4 R1*6/4 |
\time 4/4 R1*3 | \time 6/4 R1*6/4 |
\time 4/4 R1*3 | \time 6/4 R1*6/4 |
% chorus lead-in
\bar "||"
\time 4/4
b''!4. d8 ~ d a4 f8 | e f a b ~ b a4 b8 |
c16( a) f e f( e) c b e( d) c a b( a) f e |
d8 e f e ~ e f d e ~ | e d c b ~ b c a b ~ |
\tuplet 3/2 2 { b4 fs' c' b fs' e } |
% chorus
\time 4/4
\key e \minor
\bar "||"
R1*16 |
R1*6 |
\time 6/4 R1*4*6/4 | \time 4/4 R1 |
@ -285,15 +293,18 @@ guitarOne = \relative c' {
\key e \phrygian
\bar "||"
\interludeRiffInE
\time 6/4 c'16( b a) g a g f d e( f e) d e d c a b( c b) a b a g f |
\time 6/4 c16( b a) g a g f d e( f e) d e d c a b( c b) a b a g f |
\time 4/4 e8 f a b ~ b a4 b8 |
c16 c a a e' e d d g g e e c' c a a |
e' e d d g g e e c' c a a b b d d |
e8 e16 e e e d8 a16 b c d e4 |
\ottava #1
<<
{ e'8 e16 e e e d8 a16 b c d e4 | }
\\
{ e,8 e16 e e e d8 e16 f g a b4 | }
>>
\bar "|."
}
guitarTwo = \relative c {
@ -383,15 +394,7 @@ guitarTwo = \relative c {
a8 \ottava #0 d,16 e f!8 a,16 b c8 d,16 e f4 |
e16 f a b c e f a b c d e f8 e16 d |
e4 r4 r2 |
e4 r4 r2 | R1*6 |
}
@ -408,42 +411,145 @@ vocalMelody = \relative c'' {
% verse 1
\bar "||"
e4^"verse 1" d d b8 d ~ | d b4. r4 r8 b8 |
b4 a8 b ~ b a4 a8 ~ | a2 r2 |
e'4 d d b8 d ~ | d b4. r4 r8 b8 |
b4 a8 b ~ b a4 a8( ~ | a8 g f2) r4 |
e4^"verse 1" d d b8 d ~ | d4 b8 d ~ d e4 d8 |
e4 d d b8 d( ~ | d8 b4.) r4 r8 b8 |
e4 d d b8 d ~ | d b4. r4 r8 a8 |
b4 a8 g a a4 a8( ~ | a g e4) r2 |
b'4. a8 a4 g8 a ~ | a b4. r4 r8 a |
b4 a8 b ~ b a4 a8( | g e4.) r4 d8 d |
e2 d4 b8 d ~ | d b4. r4 r8 b8 |
b4 a8 b ~ b a4 a8( ~ | a8 g f2) r4 |
e'4 d d b8 d ~ | d8 e4. r2 |
e8 e e e e4 e8 e( ~ | e d b4) r2 |
d8 d d d d4 d8 b | d8 d d d d b b b |
d d d d b( a) g e ~ | e2 r2 |
r4 a a b8 c ~ | c4 d c b | a4. g8 ~ g4 a ~ | a2 r2 r2 |
r4 a a b8 c ~ | c4 d c b | a4. g8 ~ g4 a ~ | a2 r2 r2 |
<a d>8 q4 <c e>8 ~ q4 <a d>8 <d f> ~ | q4 <e g> <d f> <c e> | <e, a d>4. <c bf' f'>8 ~ q4 <d a' e'>4 ~ | q2 r2 r2 |
r4 <a' d>4 q8 <c e>4 <d f>8 ~ | q4 <e g> <d f> <c e> | <a d>4. <g c>8 ~ q4 <a d>4 ~ | q2 r2 r2 |
R1*2 | R1*5/4 | R1*6 |
% chorus
\bar "||"
\key e \minor
r4^"chorus" b d b8 e ~ | e4 e d b8 c ~ |
c2 c4 c8 c( ~ | c b) b4 r2 |
r4 b d b8 e ~ | e4 e d b8 c ~ |
c2 c4 c8 c( ~ | c b) b4 r4 r8 b ~ |
b4 b8 a ~ a b4 c8 ~ | c4 c8 b ~ b c4 d8 ~ | d2 r2 |
r8 \xNotesOn a,8 a a ~ a \xNotesOff r r4 | R1*2 |
r2 r4 r8 b'8 g'4 g8( fs) |
r2 r4 r8 b,8 a'4 g8( fs) |
r2 r4 r8 b,8 g'4 g8( fs) |
g4 g8[ fs] ~ fs e fs4( ~ fs4. e8 | d2) r2 |
% interlude
\key e \phrygian
R1*11/8 | R1*10/8 | R1*11/8 | R1*6/4 |
R1*11/8 | R1*10/8 | R1*11/8 | R1*6/4 | R1 |
% verse 2
\bar "||"
\key e \minor
e4. d8 ~ d4 e4 ~ e8 | b8 b g'4 ~ g8 fs4. fs8( |
e4) r8 b8 d d d d d | cs b4 r8 r2 r8 |
e4. d8 ~ d4 e4 ~ e8 | b8 b g'4 ~ g8 fs4. fs8( |
e4) r8 b8 d d d d d | cs b4 r8 r2 r8 |
cs4 cs8 cs ~ cs b4 d8 ~ d | e4 d cs8( b) a4 a16 a |
a4 a8 a ~ a a( g) a( g8 ~ | g2 ) r2 r8 |
c!4 c8 c ~ c b4 d8 ~ d | c4 e d r r8 |
f4 f8 e ~ e d e4 ~ e8 ~ | e2 r2 r8 |
% pre-chorus
\key e \phrygian
r4 d e d8 f ~ | f4 g f e | d4. c8 ~ c4 d ~ | d2 r2 r2 |
r4 d e d8 f ~ | f4 g f e | f4. g8 ~ g4 a ~ | a2 r2 r2 |
R1*2 | R1*5/4 | R1*6 |
\key e \minor
\bar "||"
R1*8^"chorus" | R1*4 |
R1*2 | R1*6/4*4 | R1 |
% interlude
\repeat volta 2 R1*8 |
R1*20 |
R1 |
% guitar solo
R1*16 |
% interlude
R1*7 | R1*6/4 | R1 |
% pre-chorus 3
\bar "||"
\key e \phrygian
r4 a, a b8 c ~ | c4 d c b | a4. g8 ~ g4 a ~ | a2 r2 r2 |
r4 a a b8 c ~ | c4 d c b | a4. g8 ~ g4 a ~ | a2 r2 r2 |
r4 d e d8 f ~ | f4 g f e | d4. c8 ~ c4 d ~ | d2 r2 r2 |
r4 d e d8 f ~ | f4 g f e | d4. c8 ~ c4 d ~ | d2 r2 r2 |
}
allTheLyrics = \lyricmode {
% verse 1
Wel -- come to a new __ be -- ginn -- ing, __
a fresh start on the rise. __
E -- merg -- ing from the dark -- ness, __
a new look for ti -- red __ eyes. __
You are not for -- sa -- ken,
it's just the price __ you pay. __
I am not mis -- ta -- ken,
the bill comes due __ to -- day. __
I am not your fa -- ther,
the one who stained __ your life __
with the blood of a -- no -- ther,
the one who wields __ this knife. __
Watch __ ing from the sha -- dows,
learn __ ing how to play the game. __
Time was run -- ning out but there ne -- ver was a doubt be -- cause
I hear them call -- ing out __ a name.
% pre-chorus 1
Cut to the quick __ and yet the leg -- end __ grows. __
Your flesh is weak __ and yet the blood still __ flows. __
Liv -- ing in the past is how you stay a -- live.
But is it life __ if you will ne -- ver __ thrive. __
% too old to live, too young to die
% chorus
Op -- en your eyes __ and start a new __ e -- vo -- lu -- tion.
Op -- en your heart __ to find a fast -- er so -- lu -- tion.
Lis -- ten to the in -- ner voice in -- side.
What's it say?
I hear them. __
I feel them. __
I hear them call -- ing out __ a name. __
% verse 2
Wast -- ing __ time __ on a last __ re -- sort, __
but now it's time to let it go.
Find -- ing __ out __ it's a one __ way road, __
that's ne -- ver go -- ing an -- y -- where.
Fee -- ls like __ a new __ Sun is ris -- ing
on a dawn of a __ new __ day. __
Fee -- ls like __ this new __ ho -- ri -- zon
might be here __ to stay. __
% pre-chorus 2
Sav -- ing the one __ thing that can ne -- ver__ die. __
E -- scap -- ing from __ the life that was a __ lie. __
% pre-chorus 3
Don't fear the voice __ it on -- ly seeks to __ find __
what's al -- ways been __ in -- side of your own __ mind. __
The voice -- 's call __ builds to be -- come a __ scream. __
The fu -- ture holds __ all that which you may __ dream. __
}
@ -512,7 +618,7 @@ chordValues = \chordmode {
\repeat unfold 7 e1:1.5 | q8 f2.. |
\repeat unfold 7 e1:1.5 | q2 f2 |
\repeat unfold 7 e1:1.5 | q8 f2 g4. |
\repeat unfold 7 e1:1.5 | q4. f4:5 g4.:5 |
\repeat unfold 3 a1:m | a1.:1.5 |
\repeat unfold 3 a1:m | R1. |

View File

@ -13,7 +13,7 @@ global = {
\numericTimeSignature
\compressEmptyMeasures
\omit Voice.StringNumber
\override TupletBracket #'bracket-visibility = #'if-no-beam
%\override TupletBracket #'bracket-visibility = #'if-no-beam
\override MultiMeasureRest.expand-limit = #3
\override Score.ChordName.font-name = #"Noto Serif"
\override Score.ChordName.font-size = #0
@ -25,7 +25,7 @@ global = {
guitar = \relative c' {
\tempo 4 = 120
\tempo 4 = 106
\partial 8 a16( c) |
\repeat unfold 3 {
@ -40,12 +40,6 @@ guitar = \relative c' {
a4 <a e' a cs>8-> q16 q q8 \xNotesOn q16 \xNotesOff <a f' bf d> ~ q \xNotesOn q \xNotesOff <a g' c e>8 ~ q4 ~ |
q4. \xNotesOn q16 q \xNotesOff <g' c d>( b) <g b d> q \xNotesOn q q \xNotesOff <g c d>( b) <g b d> q \xNotesOn q q \xNotesOff |
R1*5/4*6^"some kind of lead" |
a,4 <a e' a cs>8-> q16 q q8 \xNotesOn q16 \xNotesOff <a f' bf d> ~ q \xNotesOn q \xNotesOff <a g' c e>8 \xNotesOn q16 \xNotesOff <a a' c f>8 \xNotesOn q16 \xNotesOff |
<a bf' d g>4. \xNotesOn q16 q16 \xNotesOff <a g' g e' e> q q q \xNotesOn q q \xNotesOff <a g' g e' e> q q q \xNotesOn q q \xNotesOff |
\bar "||"
\repeat unfold 2 {
d4 <a d a' d>8-> q16 q \xNotesOn q8 \xNotesOff q-> ~ q q4-> a16( c) |
d4 <a d a' d>8-> q16 q \xNotesOn q8 \xNotesOff q-> ~ q q4-> c16( a) |
@ -61,8 +55,8 @@ guitar = \relative c' {
<a, e' a cs>4-> q8 \xNotesOn q16 q q q \xNotesOff <a f' bf d>8->
\xNotesOn q16 q \xNotesOff <a e' a cs>8-> \xNotesOn q16 q \xNotesOff <a d g b>8-> |
}
f'8 a d a e' d a f e d |
<d bf' d e>4.\arpeggio <d c' e e>8-> r <a e' a cs>-> \tuplet 6/4 4 { a16( c! d) d( f g) g( f d) d( c a) } |
f'8 a d a e' d f( e) d a |
<d, bf' d e>4.\arpeggio <d c' e e>8-> r <a e' a cs>-> \tuplet 6/4 4 { a16( c! d) d( f g) g( f d) d( c a) } |
\bar "||"
@ -73,7 +67,7 @@ guitar = \relative c' {
\repeat unfold 2 {
d'16( d,) d c'( d,) d b'( d,) d c'( d,) d b'( d,) g( d)
a'( d,) d b'( d,) d c'( d,) d b'( d,) d a'( d,) g( d)
a'( d,) d d( e a,) c( a) |
a'( d,) d f( d c) c( a) |
f8. c'16 ~ c8 f g8. e16 ~ e8 c a c |
}
@ -95,29 +89,71 @@ guitar = \relative c' {
\repeat unfold 2 { q q \xNotesOn q q \xNotesOff } |
}
<a g' a d>8.-> q16 \xNotesOn q q \xNotesOff <a fs' a d>8-> ~ q16 q \xNotesOn q q \xNotesOff
<a f' a d>8.-> q16 \xNotesOn q q \xNotesOff <a e' a cs>8-> ~ q16 q \xNotesOn q q \xNotesOff
\repeat unfold 2 { q q \xNotesOn q q \xNotesOff } |
<a f'! bf d>4-> q8-> \xNotesOn q16 q \xNotesOff <f' bf d>16\glissando( <g c e>) q8 q-> \xNotesOn q16 q \xNotesOff
<a f' bf d>4-> q8-> \xNotesOn q16 q \xNotesOff <f' bf d>16\glissando( <g c e>) q8 q-> \xNotesOn q16 q \xNotesOff
\tuplet 3/2 { e'16( f! \set stemRightBeamCount = #1 e) } \set stemLeftBeamCount = #1 d( c) |
R1*5/4*8^"chorus riff" |
R1*5/4*8^"verse riff" |
R1*5/4*5^"chorus riff" |
% guitar solo
R1*5/4*15^"awesome solo" |
a'8. c16 ~ c8 d d4\harmonic \ottava #1 \tuplet 6/4 4 {
a'16( f) d a d f
g( e) c g e c
} | \ottava #0
% interlude
\bar "||"
\repeat unfold 2 {
c16( d) g, a r f r g r c,( d) g, a8 bf16 c d ef r d r c d fs a g c ef r d r c d2 |
c16( d) g, a r f r g r c,( d) g, a8
}
\alternative {
{ g16 a bf c r bf r a bf d f a b f\glissando( g) b d f g2 | }
{ g,,16 a bf a8 bf16 cs d e\glissando( f) g a8 bf16 cs16 d e f g a8 bf16 cs d e8 | }
}
\repeat unfold 2 {
<a,,, e' g cs>8.-> q16 \xNotesOn q q \xNotesOff <a e' g cs>8-> ~ q16 q \xNotesOn q q \xNotesOff
<a e' g cs>8 <a f' g d'> <a e' g cs> <a d g b> |
}
\alternative {
{ <a e' g cs>8.-> q16 \xNotesOn q q \xNotesOff <a e' g cs>8-> ~ q16 q \xNotesOn q q \xNotesOff
<a e' g cs>8 <a f' g d'> <a g' g e' e>4 | }
{ f16 c' g' g, d' a' bf, f' c' c, g' d' \tuplet 3/2 { c16( d c) } a g\glissando( f) d c( a) | }
}
% verse 4
R1*5/4*8^"verse 1 riff" |
R1*5/4*5^"chorus riff" |
<a d a' d>4-> r r2 r4 |
}
vocalMelody = \relative c' {
\partial 8 r8 |
R1*5/4*16 |
R1*5/4*8 |
\bar "||"
% verse 1
r4^"verse" r8 d d f4 a8 ~ a4 | a8 g4 g8 g( fs) fs4 r4 |
r8 a, f'! f ~ f e4( d8) c d ~ | d2 r2 r4 |
r4 r8 d d f4 a8 ~ a4 | a8 g4 g8 g( fs) fs4 r4 |
r8 a, f'! f ~ f e4( d8) c d ~ | d2 r2 r8 a'8 |
r8 a, f'! f ~ f e4( d8) c d ~ | d2 r2 r8 d8 |
% chorus
a4. cs8 ~ cs4 e4 ~ e |
f4 f8 e ~ e d e4 ~ e8 r8 |
cs4. e8 ~ e4 g4 ~ g8 g8 |
g8 g f4 ~ f8 e4. d4 |
cs4.^"chorus" e8 ~ e4 a4 ~ a |
bf4 bf8 a ~ a g a4 ~ a8 r8 |
a4. cs8 ~ cs4 e4 ~ e8 e8 |
f8 f f4 ~ f8 e4. d4 |
e2. r4 r4 |
R1*5/4*8 |
@ -126,7 +162,42 @@ vocalMelody = \relative c' {
r4^"verse" r8 d, d f4 a8 ~ a4 | a8 g4 g8 g( fs) fs4 r4 |
r8 a, f'! f ~ f e4( d8) c d ~ | d2 r2 r4 |
r4 r4 d8 f4 a8 ~ a4 | a8 g4 g8 g( fs) fs4 r4 |
r8 a, f'! f ~ f e4( d8) c d ~ | d2 r2 r8 a'8 |
r8 a, f'! f ~ f e4( d8) c d ~ | d2 r2 r4 |
% bridge
bf'4^"bridge" bf8 a ~ a4 g8 a ~ a fs8 ~ | fs d4 e8 ~ e fs8 ~ fs4 r4 |
a4 a8 cs ~ cs4 d8 e8 ~ e4 | e8 f4 e8 ~ e d4 cs8 ~ cs4 |
c!4. b8 ~ b4. d8 ~ d4 ~ | d8 c4( b8 ~ b4) r g4 |
a8 a a a bf( a) g a ~ a4 | R1*5/4 |
% verse 3
r4^"verse" r8 d, d f4 a8 ~ a4 | a8 g4 g8 g( fs) fs4 r4 |
r8 a, f'! f f e4( d8 c) d ~ | d2 r2 r4 |
r4 r8 d d f4 a8 ~ a4 | a8 g4 g8 g( fs) fs4 r4 |
r8 a, f'! f ~ f e4( d8) c d ~ | d2 r2 r4 |
% chorus
R1*5/4*5^"chorus" |
% guitar solo
R1*5/4*16 |
% interlude
R1*5/4*12 |
% verse 4
r4^"verse" r8 d d f4 a8 ~ a4 | a8 g4 g8 g( fs) fs4 r4 |
r8 a, f'! f8 ~ f e4( d8) c d ~ | d2 r2 r4 |
r2 d8 f4 a8 ~ a4 | a8 g4 g8 g( fs) fs4 r4 |
r8 a, f'! f ~ f e4( d8) c d ~ | d2 r2 r4 |
% chorus
R1*5/4*5^"chorus" |
R1*5/4 |
\bar "|."
% end
}
@ -139,13 +210,29 @@ allTheLyrics = \lyricmode {
But now I __ see __
what it means __ to be __
all a -- lone __
with just a fair weath -- ered friend.
with just a fair weath -- er friend.
I lift my eyes __ and beg for mer -- cy
but I'm too __ blind __ to see __
all the things __ you hold a -- gainst __ me
and what might __ set __ me free. __
Sick and tired, __ I watched __ you __ drift a -- way, __
leav -- ing me __ a -- lone __ in -- side this __ tomb of __ self -- de -- struc -- tion __
and phy -- si -- cal de -- form -- i -- ty. __
I sink down low __ to find the an -- swers
but they still e -- lude __ me. __
I look up __ high __ and wish for clo -- sure,
the si -- lence deaf -- ens me. __
On sleep -- less nights, __ my mind will wan -- der
to thoughts of __ you __ and me. __
What was lost __ I can't re -- co -- ver,
'twas all il -- lus -- or -- y. __
}
guitarStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 } {
@ -190,7 +277,44 @@ chordValues = \chordmode {
\set chordNameExceptions = #chordExceptions
\set majorSevenSymbol = \markup "maj7"
\partial 8 r8 |
d1*5/4:5 | q | q | q |
a | q | q2 q8. bf c4. | q2 g2. |
% verse 1
d1*5/4:5 | q | f2 q8 c8 c2 | d1*5/4:5 |
d1*5/4:5 | q | f2 q8 c8 c2 | d2:5 g2. |
% chorus
\repeat unfold 3 { a2 q8 bf4 a g8 | }
d1*5/4:1.3-.5.9 | bf4.:1.3.5.11+/d c4:/d a8 r2 |
R1*5/4*8 |
% verse 2
\repeat unfold 2 { d1*5/4:5 | q | f2 c q4 | d1*5/4:5 | }
% bridge
\repeat unfold 2 { g4.:m/a d8*7:/a | }
\repeat unfold 2 { d4.:m/a a8*7 | }
\repeat unfold 2 { g4.:sus4/a g8*7:/a | }
d4.:m/a a8*7 | bf2 q16 c8. q2 |
% verse 3
d1*5/4:5 | q | f2 q8 c8 c2 | d1*5/4:5 |
d1*5/4:5 | q | f2 q8 c8 c2 | d2:5 g2. |
% chorus
R1*5/4*5 |
% guitar solo
bf1*5/4 | g:m | a2 q8 a8:sus4 q2 | a1 q8 g8 |
f1*5/4 | g | c | d1 c4 |
bf1*5/4 | c | d | q1 c4 |
bf1*5/4 | g:m | a | a8.:5 c:5 d4.:5 d4:m c |
% interlude
}

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@ -0,0 +1,123 @@
\version "2.22.1"
\language "english"
\header {
title = "Real Thing-ish"
composer = "Tommy Montgomery"
copyright = "(c) 2023 Tommy Montgomery"
}
global = {
\key e \phrygian
\set Staff.printKeyCancellation = ##f
\numericTimeSignature
\compressEmptyMeasures
\omit Voice.StringNumber
% \override TupletBracket #'bracket-visibility = #'if-no-beam
\override MultiMeasureRest.expand-limit = #3
\override Score.ChordName.font-name = #"Noto Serif"
\override Score.ChordName.font-size = #0
\override Score.LyricText.font-name = #"Noto Serif"
\override Score.LyricText.font-size = #0
}
guitar = \relative c {
\tempo 4 = 75
\repeat volta 4 {
e8^"bass" e e'8. e,16 ~ e e8 f'16 ~ f e, d'8^"4x" |
}
\repeat volta 4 {
e,8^"ac. gtr." e <e e' b' b e e>8. e16 ~ e e8 <e f' c' f b, e>16 ~ q8 <e d' a' d b e>^"3x" |
}
e8 e \ottava #1 \tuplet 6/4 { e''16\harmonic a\harmonic a\harmonic d\harmonic fs\harmonic b\harmonic } e4\harmonic \ottava #0 e,,,4\glissando |
<e, b'>8 q r r16 <e b'> ~ q <e b'>8 <e b'>16 ~ q r16 r8 |
<e b'>8 q r r16 <e b'> ~ q <e b'>8 <e b'>16 <d' g>4 |
<e, b'>8 q r r16 <e b'> ~ q <e b'>8 <e b'>16 ~ q r16 r8 |
<e b'>8 q r r16 <e b'> ~ q <e b'>8 e16 g( e) b' f |
}
vocalMelody = \relative c' {
}
allTheLyrics = \lyricmode {
}
guitarStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 } {
\global
\guitar
}
vox = \new Staff \with { midiInstrument = "voice oohs" midiMinimumVolume = #0.7 } {
<<
\new Voice = "vocalMelody" { \clef treble \global \vocalMelody }
\new Lyrics \lyricsto "vocalMelody" {
\allTheLyrics
}
>>
}
chordExceptionMusic = {
<c e g b d'>1-\markup { "maj9" }
<c e g b fs'>1-\markup { "maj7" \sharp "11" }
<c ef f g bf>1-\markup { "m7sus4" }
<c ef gf bff>1-\markup { "°7" }
<c ef gf bf>1-\markup { \super { "ø7" } }
<c e g d'>1-\markup { "add9" }
<c ef g d'>1-\markup { "m(add9)" }
<c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
<c g>1-\markup { "5" }
<c e g bf>1-\markup { "7" }
<c e g b>1-\markup { "maj7" }
<c ef g bf>1-\markup { "m7" }
<c f g>1-\markup { "sus4" }
<c d g>1-\markup { "sus2" }
<c e g bf df'>1-\markup { "7" \super { \flat "9" } }
<c e g f'>1-\markup { "add11" }
}
chordExceptions = #(append
(sequential-music-to-chord-exceptions chordExceptionMusic #t)
ignatzekExceptions
)
chordValues = \chordmode {
\set chordNameExceptions = #chordExceptions
\set majorSevenSymbol = \markup "maj7"
}
chordNames = \new ChordNames {
\set chordChanges = ##t
\set chordNameExceptions = #chordExceptions
\chordValues
}
\score {
<<
% \chordNames
% \vox
\guitarStaff
>>
\layout {
\context {
\Staff \RemoveEmptyStaves
\override Glissando.minimum-length = #4
\override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
\override Glissando.thickness = #2
\override VerticalAxisGroup.remove-first = ##t
}
}
}
\score {
\unfoldRepeats {
<<
\guitarStaff
>>
}
\midi {}
}

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