\version "2.24.0" \language "english" \header { title = "Vortiginous" composer = "Tommy Montgomery" copyright = "(c) 2019 Tommy Montgomery" } global = { \key e \minor \set Staff.printKeyCancellation = ##f \numericTimeSignature % \compressFullBarRests \omit Voice.StringNumber % \override TupletBracket #'bracket-visibility = #'if-no-beam \override MultiMeasureRest.expand-limit = #3 \time 3/4 \tempo 4 = 94 } 0 mainRiffE = \relative c { e16( a b) a( e' fs) e,( b' d) a( g' a) | } mainRiffCToDToE = \relative c { e16( b' c) a( e' g) e,( d' e) a,( g' b) | e,,( b' d) a( fs' a) e,( e' fs) a,( b' d) | \repeat unfold 2 { e,,( d' e) a,( g' a) e,( g' a) a,( a' b) | } e,,16( b' c) a( e' g) d( b' c) g( e' g) | e,,( b' d) a( fs' a) d,( b' d) g,( fs' a) | \repeat unfold 2 { e,,( d' e) a,( a' b) d,( d' e) g,( a' b) | } } guitarOne = \relative c' { e16 a( b) e, e' e, a( b) e, d' e, a( | b) e, cs' e, a( b) e, fs g fs e d | e16 a( b) e, e' e, a( b) e, d' e, a( | b) e, c' a b c b a g fs e d | e16 a( b) e, e' e, a( b) e, d' e, a( | b) e, cs' e, a( b) e, fs g fs e d | e16 a( b) e, d'( e) e, a'\glissando( b g) e b | d( b) g d a d( e) g( a g) fs d | \repeat unfold 4 { 16 q q q q8 q16 q ~ q q q8 | } \repeat unfold 2 { 16 q q q q8 q16 q ~ q q q8 | } 16 q q q q8 q16 q ~ q q q8 | 4 a16 g fs8 | % main riff \repeat volta 2 \repeat unfold 2 \mainRiffE \mainRiffCToDToE << { c'''4. c | b4. a8.\glissando( g) | g16( a8.) ~ a2 ~ | a2 a,16 d fs g } \\ { a,,16( b c) a( c d) a( d e) a,( e' f) | a,( b c) a( c d) a( d e) a,( e' f) | a,( cs d) a( d e) a,( e' fs!) a,( fs' g) | a,( cs d) a( d e) a,( e' fs) a,( fs' g) | } >> << { a'4. b4( a8) | g4 ~ g16[( a32 g)] e8.[ d] | d16( e) ~ e4. ~ e16 e fs g | r a( g) r g( fs) r fs( e) r e( d) | e2. } \\ { a,,16( e' f) d( a' c) a,( g' a) d,( c' e) | a,,( e' g) d( b' d) a,( a' b) d,( e' g) | a,,( cs d) a( d e) a,( e' fs) a,( fs' g) | a, a' g a, g' fs a, fs' e a, e' d | \mainRiffE } >> \mainRiffE \repeat volta 2 \mainRiffE \time 6/8 b''4.^"Over main E riff" e, | b' e,8 e16 fs g a | b4. a8( b32 a\glissando g8.) | a4. d,8. d16 ds e | b'4. e, | \grace b'16( c4.) b4 a16\glissando( g) | a4. ~ a16 a' g fs d a | g fs a g fs d fs d a g fs g | a4. f8. f16 a b | c4 c16 d e4 e16 f | g8. g16 a( b) a8. a16 d( e) | d8. d16 e( f) e4 \tuplet 3/2 { e16( d cs) } | a8. f16 a b c!8. f,16 b( a) | b8. g16 b( c) d8. g,16 c( b) | a2. ~ | a | \time 3/4 R1*4*3/4^"main E riff" | \repeat unfold 4 { 16 q q q q8 q16 q ~ q q q8 | } \repeat unfold 2 { 16 q q q q8 q16 q ~ q q q8 | } \repeat unfold 2 { 16 q q q q8 q16 q ~ q q q8 | } \time 6/8 \key b \major ds'4. ds | e ds | cs2. | b4. cs | ds4. ds | e ds cs2. | b4. as | gs2. | as4. b | as2. | b4. cs | b2. | cs4. ds | cs4. ~ cs4 cs16( ds) | e4. e8 ds cs | ds2. | gs4. fss | es2. | ds4. es | fss2. | gs4. fss | << { es4. ~ es8. fs16 gs as | b4. as | } \\ { 4. q4 gs16( b) | as8 as16 as gs( b) as8 as16 as b( as) } >> 4. q8 gs16 gs gs( b) | as8 as16 as as( cs) b8 b16 b b( cs) | ds8 ds16 as' cs e ds8 as16 e' gs b | as8 ds,16 as' cs e ds4. | \grace ds16( e4) << { ds16( cs) b as e cs as fss | } \\ { e16 fss as cs e fss as cs | } >> ds2. | e4. ds | cs2. | b4. cs | ds2. | e4. ds | cs2. | b4. as | gs2. | as4. b | as2. | b4. cs | b2. | cs4. ds | cs4. ~ cs4 cs16( ds) | e4. e8 ds cs | \key e \minor \repeat unfold 8 { b,,16 e( fs) } | \repeat unfold 4 { g, e'( fs) } | \repeat unfold 4 { a, e'( fs) } | \time 3/4 \repeat unfold 8 { b,16 e( fs) } | \repeat unfold 4 { g, e'( fs) } | \repeat unfold 4 { a, e'( fs) } | \repeat unfold 4 { 16 q q q q8 q16 q ~ q q q8 | } \repeat unfold 2 { 16 q q q q8 q16 q ~ q q q8 | } \repeat unfold 2 { 16 q q q q8 q16 q ~ q q q8 | } a16( b c) a( c d) a( d e) a,( e' f) | a,16( b c) a( c d) a( d e) a,( e' f) | \tuplet 6/4 4 { a16( g fs g fs) e fs e d e d cs c'?( b a b a) g a g fs g fs e d'( c b c b) a b a g a g fs } | \repeat volta 2 \repeat unfold 2 \mainRiffE | \time 6/8 e''4. \grace fs16( g4 fs8) | e4( fs16 e d4) d16( ds) | e2. ~ | e4. r4. | e4. \grace fs16( g4 fs8) | e4( fs16 e d4) d16( ds) | e2. ~ | e4. r4. | \ottava #1 b'4. \grace b16( c4 b8) | a4( b16 a g4) g16( a) | b2. ~ | b4. r4. | b4. \grace b16( c4 b8) | a4( b16 a g4) g16( gs) | a2. ~ | a4. r4. | \ottava #0 e4. \grace fs16( g4 fs8) | e4( fs16 e d4) d16( ds) | e2. ~ | e4. r4. | \time 3/4 \repeat unfold 4 { 16 q q q q8 q16 q ~ q q q8 | } \repeat unfold 2 { 16 q q q q8 q16 q ~ q q q8 | } 16 q q q q8 q16 q ~ q q q8 | 4 a16 g fs8 | 2. | \mainRiffE e16( d' e) a,( a' b) e,,( fs' a) a,( d' e) | e,,( a' b) a,( e'' fs) e,,( b'' d) a,( g'' a) | 2. | \tuplet 6/4 4 { 16 q q q q q } 8 q16 q ~ q q q8 | 4 \tuplet 6/4 4 { g'''16( e) d b a g e d b a g fs } | e4\glissando r2 | \bar "|." } guitarOneStaff = \new Staff \with { midiInstrument = "distorted guitar" }{ \global \guitarOne } chordExceptionMusic = { 1-\markup { "maj9" } 1-\markup { "maj7" \sharp "11" } 1-\markup { "m7sus4" } 1-\markup { "°7" } 1-\markup { "add9" } 1-\markup { "m(add9)" } 1-\markup { \super { \sharp "11" \sharp "13" } } 1-\markup { "5" } 1-\markup { "maj7" } 1-\markup { "sus4" } 1-\markup { "sus2" } } chordExceptions = #(append (sequential-music-to-chord-exceptions chordExceptionMusic #t) ignatzekExceptions ) chordValues = \chordmode { \global % \powerChords \set chordNameExceptions = #chordExceptions \set majorSevenSymbol = \markup "maj7" e2.:1.4.5.7 | e:m6 | e:1.4.5.7 | q8 a2:m q8 | e2.:1.4.5.7 | e:m6 | e2:1.4.5.7 e4:m | g a:1.4.5.7 d | e2.:1.5 | q | q | q | c:1.5 | q | d:1.5 | g4:1.5 a:1.5 d | \repeat volta 2 { e2.:1.4.5.7 | q | } c:maj7 | d:6 | e:1.4.5.7 | q | c:maj7 | d:6 | e:1.4.5.7 | q | f:maj7/a | q | a:6 | q | f:maj7 | g:6 | a:6 | q | e2.:1.4.5.7 | q | \repeat volta 2 q | % E riff w/ lead q | q | q | q | c:maj7 | q | d:6 | q | f:maj7/a | q | a:6 | q | f:maj7 | g:6 | a:6 | q | R1*4*3/4 | e2.:1.5 | q | q | q | c:1.5 | q | d:1.5 | q | b2. | b4.:sus4 b | a2. | a4.:sus2 a | b2. | b4.:sus4 b | fs2. | fs4.:sus4 fs | e2. | e4.:1.3.5.11+ e | fs2. | fs4.:sus4 fs | gs2.:m | q | fs2. | fs:7/as | ds2. | ds4.:sus4 ds | cs2. | cs4.:sus2 cs | ds2. | ds4.:sus4 ds | as2. | as:1.3.5.7.9- | gs2.:m | q | ds:1.3.5.7.9- | q | q4. ds:dim7 | gs2.:m | q | ds2.:7 | q | gs2.:m | q | fs2. | fs4.:sus4 fs | e2. | e4.:1.3.5.11+ e | fs2. | fs4.:sus4 fs | gs2.:m | q | fs2. | fs:7/as | b2.:sus4 | q | g:maj7 | a:6 | b2.:sus4 | q | g:maj7 | a:6 | b2.:sus4 | q | g:maj7 | a:6 | c:1.5 | q | d:1.5 | q | f:maj7/a | q | a2:6 c d | \repeat volta 2 { e2.:1.4.5.7 | q | } e:1.4.5.7 | q | q | q | c:maj7 | d:6 | e:1.4.5.7 | q | c:maj7 | d:6 | e:1.4.5.7 | q | f:maj7/a | q | a:6 | q | f:maj7 | g:6 | a:6 | q | e2.:1.4.5.7 | e:m6 | e:1.4.5.7 | q8 a2:m q8 | e2.:1.4.5.7 | e:m6 | e2:1.4.5.7 e4:m | g a:1.4.5.7 d | e2.:1.5 | e:1.4.5.7 | q | q | c:maj7 | d:1.5 | e4:1.5 r2 | r2. | } chordNames = \new ChordNames { \set chordChanges = ##t \set chordNameExceptions = #chordExceptions \chordValues } \score { << \chordNames \guitarOneStaff >> \layout { \context { \Staff \RemoveEmptyStaves \override Glissando.minimum-length = #4 \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods \override Glissando.thickness = #2 \override VerticalAxisGroup.remove-first = ##t } } } \score { \unfoldRepeats { << \transpose c c, \guitarOneStaff >> } \midi {} }