169 lines
4.2 KiB
Plaintext
169 lines
4.2 KiB
Plaintext
\version "2.24.0"
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\language "english"
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\header {
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title = "MI2"
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composer = "Tommy Montgomery"
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tagline = ""
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}
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global = {
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\set Staff.printKeyCancellation = ##f
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\numericTimeSignature
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\compressEmptyMeasures
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\override TupletBracket.bracket-visibility = #'if-no-beam
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\override MultiMeasureRest.expand-limit = #3
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\override Score.ChordName.font-name = #"Noto Serif"
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\override Score.ChordName.font-size = #0
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\override Score.LyricText.font-name = #"Noto Serif"
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\override Score.LyricText.font-size = #0
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\override Staff.OttavaBracket.font-series = #'normal
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\set Staff.ottavationMarkups = #ottavation-simple-ordinals
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\tempo 4 = 82
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\key d \major
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}
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guitarOne = \relative c' {
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\time 4/4
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\global
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\partial 4 r4 |
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a''16\glissando( b8) g16 ~ g a8. ~ a2 ~ |
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a8 \xNotesOn <a e>16 q \xNotesOff a16\glissando( b8) g16 ~ g16 a8 fs16 ~ fs( g32 fs) e16 d |
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a'16\glissando( b8) g16 ~ g a8. ~ a2 ~ |
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a8 \xNotesOn <a e>16 q \xNotesOff a16\glissando( b8) g16 ~ g16 a8 fs16 ~ fs( g32 fs) e16 d |
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cs8. d16 ~ d8 a' ~ a4 d,8 cs |
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g16 d' g a fs d g a d e cs a g\glissando( a) d e |
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f8. e16 ~ e8 d ~ d4 \tuplet 6/4 { bf,16 f' bf c f a } |
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g8. f16 ~ f8 e ~ e4. d16\glissando( c) |
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d4. \ottava 1 \xNotesOn <e a>16 q \xNotesOff a16\glissando( b8) g16 ~ g a8. ~ |
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a4. \xNotesOn <e a>16 q \xNotesOff a16\glissando( b8) g16 ~ g a8 fs16 ~ |
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fs( g32 fs) e16 d cs8. d16 ~ d8 b8 ~ b16 a8. |
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\grace fs8( g16 fs e\glissando d) e8. g16 ~ g8 d' ~ d16 cs8. |
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d4. \xNotesOn <e a>16 q \xNotesOff a16\glissando( b8) g16 ~ g a8. ~ |
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}
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guitarTwo = \relative c' {
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\global
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\partial 4 \tuplet 6/4 { g'16( a g) fs( d) c } |
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\bar "||"
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d4 <d a' d>8 q16 q q8 q4-> q16 q |
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<c e g d'>4 q8 q16 q q8 <g d' g d'>4-> q16 q |
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<d' a' d>4 q8 q16 q q8 <f a c e>4-> q16 q |
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<c e g c>4 q8 q16 q q8 <g d' g d'>4-> q16 q |
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<a e' a cs>8. <a e' a b>16 ~ q8 <a e' a cs> ~ q4 <a e' a b>8 <a e' a cs> |
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<g d' g d'>8. q16 q8 q16 q <fs d' a' d>8. q16 q8 q16 q |
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<f d' a' d>8. <e c' e g>16 ~ q8 <g d' bf' d> ~ q q q q16 q |
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<g c g' c e>8. <a f' c' f>16 ~ q8 <bf g' c e> ~ q4 \tuplet 6/4 { g'16( a g) f( d) c } |
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d4 <d a' d>8 q16 q q8 q4-> q16 q |
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<c e g d'>4 q8 q16 q q8 <g d' g d'>4-> q16 q |
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<b fs' b d fs>4 q8 q16 q q8 <e, b' e g b e>4-> q16 q |
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<a e' g cs e>4 q8 q16 q q8 <a e' g d' e>8-> ~ q16 <a e' g cs e>8.-> |
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<d a' d fs>4 q8 q16 q q q q8 ~ q16 q q q |
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<d c' f a>4 q8 q16 q q q q8 ~ q16 q q q |
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<d d' g b>4 q8 q16 q q q <d d' g a>8 ~ q16 q q q |
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<d d' fs a>4 q8 q16 q <d c' fs bf>8 q16 q q <d c' fs a>8.-> |
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\key g \minor
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\time 9/8
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g,16 bf d g bf g a f g c ef a, bf d, ef g bf, a |
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}
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guitarOneStaff = \new Staff \with { midiInstrument = "distorted guitar" } \guitarOne
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guitarTwoStaff = \new Staff \with { midiInstrument = "acoustic guitar (steel)" } \guitarTwo
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chordExceptionMusic = {
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<c e g b d'>1-\markup { "maj9" }
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<c e g b fs'>1-\markup { "maj7" \sharp "11" }
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<c ef f g bf>1-\markup { "m7sus4" }
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<c ef gf bff>1-\markup { \super "°7" }
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<c e g d'>1-\markup { "add9" }
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<c ef g d'>1-\markup { "m(add9)" }
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<c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
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<c g>1-\markup { "5" }
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<c e g b>1-\markup { "maj7" }
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<c f g>1-\markup { "sus4" }
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<c d g>1-\markup { "sus2" }
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}
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chordExceptions = #(append
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(sequential-music-to-chord-exceptions chordExceptionMusic #t)
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ignatzekExceptions
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)
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chordValues = \chordmode {
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\global
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\set chordNameExceptions = #chordExceptions
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\set majorSevenSymbol = \markup "maj7"
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}
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chordNames = \new ChordNames {
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\set chordChanges = ##t
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\set chordNameExceptions = #chordExceptions
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\chordValues
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}
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#(set-global-staff-size 18)
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\book {
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\paper {
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system-system-spacing =
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#'((basic-distance . 8)
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(minimum-distance . 4)
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(padding . 4)
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(stretchability . 60)
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)
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}
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\score {
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<<
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\chordNames
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\guitarOneStaff
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\guitarTwoStaff
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>>
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\layout {
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% indent = #0
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\context {
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\Staff \RemoveEmptyStaves
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% \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
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\override VerticalAxisGroup.remove-first = ##t
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}
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}
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}
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}
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\score {
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\unfoldRepeats {
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<<
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\transpose c c, {
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\guitarOneStaff
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}
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\transpose c c, {
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\guitarTwoStaff
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}
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>>
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}
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\midi {}
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}
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