more instrumental ideas

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tmont 2024-02-28 11:56:35 -08:00
parent 48801f4a2e
commit daba00396e
8 changed files with 895 additions and 0 deletions

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\version "2.24.0"
\language "english"
\header {
title = "The Azimuth"
composer = "Tommy Montgomery"
copyright = "(c) 2023 Tommy Montgomery"
}
global = {
\key g \minor
\set Staff.printKeyCancellation = ##f
\numericTimeSignature
\compressEmptyMeasures
\omit Voice.StringNumber
\override TupletBracket.bracket-visibility = #'if-no-beam
\override MultiMeasureRest.expand-limit = #3
\override Score.ChordName.font-name = #"Noto Serif"
\override Score.ChordName.font-size = #0
\override Score.LyricText.font-name = #"Noto Serif"
\override Score.LyricText.font-size = #0
\tempo 4 = 69
}
guitarOne = \relative c {
\global
R1*2^"drums" |
<<
{
\stemNeutral
\repeat unfold 3 {
d8 d b''4\rest b2\rest |
}
d,,8 d b''8\rest b16\rest d,,16 _~ d bf' c d, af' g d fs |
} \\
{
\new Staff \with {
\remove Time_signature_engraver
alignAboveContext = "gtr1"
\magnifyStaff #2/3
firstClef = ##f
} {
\once \override Staff.KeySignature.transparent = ##t
\key g \minor
d8^"bass" d d'8. d,16 ~ d d8 d16 d'( ef) c8 |
d,8 d d'8. d,16 ~ d d8 d16 c' af g f |
d8 d d'8. d,16 ~ d d8 d16 d' ef c8 |
d,8 d d'8. d,16 ~ d bf' c d, af' g d fs |
}
}
>>
}
guitarTwo = \relative c {
R1*2 |
}
guitarOneStaff = \new Staff = "gtr1" \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarOne }
guitarTwoStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarTwo }
chordExceptionMusic = {
<c e g b d'>1-\markup { "maj9" }
<c e g b fs'>1-\markup { "maj7" \sharp "11" }
<c ef f g bf>1-\markup { "m7sus4" }
<c ef gf bff>1-\markup { "°7" }
<c ef gf bf>1-\markup { \super { "ø7" } }
<c e g d'>1-\markup { "add9" }
<c ef g d'>1-\markup { "m(add9)" }
<c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
<c g>1-\markup { "5" }
<c e g bf>1-\markup { "7" }
<c e g b>1-\markup { "maj7" }
<c ef g bf>1-\markup { "m7" }
<c f g>1-\markup { "sus4" }
<c d g>1-\markup { "sus2" }
<c e g bf df'>1-\markup { "7" \super { \flat "9" } }
<c e g f'>1-\markup { "add11" }
}
chordExceptions = #(append
(sequential-music-to-chord-exceptions chordExceptionMusic #t)
ignatzekExceptions
)
chordValues = \chordmode {
\global
\set chordNameExceptions = #chordExceptions
\set majorSevenSymbol = \markup "maj7"
}
chordNames = \new ChordNames {
\set chordChanges = ##t
\set chordNameExceptions = #chordExceptions
\chordValues
}
\score {
<<
\chordNames
\guitarOneStaff
\guitarTwoStaff
>>
\layout {
\context {
\Staff \RemoveEmptyStaves
\override Glissando.minimum-length = #4
\override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
\override Glissando.thickness = #2
\override VerticalAxisGroup.remove-first = ##t
}
}
}
\score {
\unfoldRepeats {
<<
\transpose c c, \guitarOneStaff
\transpose c c, \guitarTwoStaff
>>
}
\midi {}
}

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\version "2.24.0"
\language "english"
\header {
title = "Last Refuge"
composer = "Tommy Montgomery"
copyright = "(c) 2023 Tommy Montgomery"
}
global = {
\key d \minor
\set Staff.printKeyCancellation = ##f
\numericTimeSignature
\compressEmptyMeasures
\omit Voice.StringNumber
\override TupletBracket.bracket-visibility = #'if-no-beam
\override MultiMeasureRest.expand-limit = #3
\override Score.ChordName.font-name = #"Noto Serif"
\override Score.ChordName.font-size = #0
\override Score.LyricText.font-name = #"Noto Serif"
\override Score.LyricText.font-size = #0
\tempo 4 = 168
}
tappingIntroRiffD = \relative c'' {
a'8^"+"( d,) d^"+"( g,) e'^"+"( a,) a^"+"
a'8^"+"( d,) d^"+"( g,) e'^"+"( a,) a^"+"( d,) |
}
tappingIntroRiffBFlat = \relative c'' {
bf'8^"+"( d,) d^"+"( g,) e'^"+"( bf) a^"+"
bf'8^"+"( d,) d^"+"( g,) e'^"+"( bf) a^"+"( d,) |
}
guitarOne = \relative c'' {
\global
\compoundMeter #'((7 8) (4 4))
\set Timing.beatStructure = 4,3,2,2,2,2
% \set Timing.beamExceptions =
% \beamExceptions {
% { 8[ 8 8 8] 8[ 8 8] 8[ 8 8 8] 8[ 8 8 8] }
% { 4 4 8[ e e] 4 4 16[ 16 16 16] 16[ 16 16 16] }
% }
% \time 4,3,4,4 15/8
\repeat volta 4 \tappingIntroRiffD
\repeat unfold 3{
\tappingIntroRiffD
\tappingIntroRiffBFlat
}
bf'8^"+"( ef,) d^"+"( a) ef'^"+"( bf) a^"+"
bf'8^"+"( ef,) d^"+"( a) ef'^"+"( bf) a^"+"( ef) |
d16[( ef f) g]( a bf)
ef,( f g)[ a( bf c)]
g( a bf) c( d ef)
d( ef f) g( a bf)
a( bf c) d( ef f)
|
\bar "||"
\key g \minor
\repeat unfold 2 {
\repeat unfold 2 { g,,,4 g ef'8 c d g,4 g ef'8 c d bf | }
f4 f d'8 bf c f,4 f d'8 bf c a |
}
\alternative {
{ f4 f df'8 bf c f,4 f df'8 bf c af | }
{ fs4 fs d'8 bf c fs,4 fs bf'16( g) fs( d) ef( d) bf( a) | }
}
g4 g ef'8 c d g,4 g ef'8 c d bf |
a4 a f'8 df ef a,4 a f'8 df ef c |
bf4 bf gf'8 ef f bf,4 bf gf'8 ef f df |
c4 c af'8 f g! c,4 c af'8 fs g ef |
d8 ef fs a! c d ef d[ ef fs a!] c[ d ef fs] |
\repeat unfold 2 {
\repeat unfold 2 { \repeat unfold 8 { g,,,16 } ef'8 c d \repeat unfold 8 { g,16 } ef'8 c d bf | }
\repeat unfold 8 { f16 } d'8 bf c \repeat unfold 8 { f,16 } d'8 bf c a |
}
\alternative {
{ \repeat unfold 8 { f16 } df'8 bf c \repeat unfold 8 { f,16 } df'8 bf c af | }
{ \repeat unfold 8 { fs16 } d'8 bf c \repeat unfold 8 { fs,16 } ef'4 d | }
}
g,8 g' d ef c d f g1 |
f,8 f' c d bf c ef f1 |
c8 c' g af f g bf c1 |
<g, c>4 q8 q q q r <g cs>8 q r q <fs c'> q r q |
R1*15/8*6 |
<e bf'>8 q q q r4 q8 q q q4 q8 q q4 |
<a e'>8 q q q r4 q8 <a ef'> q q4 <fs c'>8 q q4 |
\repeat unfold 2 {
\repeat unfold 2 { g4 g ef'16[ ef c c] d!8 g,4 g ef'16 ef c c d8 bf | }
f4 f d'16[ d bf bf] c8 f,4 f d'16 d bf bf c8 a |
}
\alternative {
{ f4 f df'16[ df bf bf] c8 f,4 f df'16[ df bf bf] c8 af | }
{ fs4 fs d'16[ d bf bf] c8 fs,4 fs ef'16 ef c c d4 | }
}
\repeat unfold 4 { <g, d' g bf d g>2.. ~ q2.. q16 q16 | }
% acoustic solo, flamenco-ish
g'4. g8 g[( af16 g]\glissando fs8) g a bf d g a bf g |
a4. a8 a[( bf16 a]\glissando gs8) a4. cs16( e cs) a e cs a8 cs |
d4. d16 d d8 bf a g fs g a ef d c fs |
}
guitarTwo = \relative c {
\global
\repeat volta 4 { R1*15/8 } |
<d a' d>2.. ~ q1 |
<d d' bf'>2 ~ q8 <d d' a'>4 <bf' d g>2 ~ q8 f4. |
<d a' d>2. <c' g'>8 <d a'>1 |
bf4. d8 ~ d4 a'8\glissando( bf4\glissando a) g2 |
<d, a' d>4. d16 d <d a'>8 <g d'> <f c'> <d' g b>1 |
<f, c'>2 ~ q8 <g d'>4 <e c'>4. d8 bf' a4. |
<ef bf'>4 ef16 ef ef ef <ef bf'>8 <f c'>4 <ef bf'>4 ef16 ef ef ef <ef bf'>8 <f c'>4. |
<ef bf'>8( <d a'>) q <ef bf'>8( <d a'>) q <ef bf'>8( <d a'>) q <ef bf'>8( <d a'>) <ef bf'>( <f c'>) <ef bf'>( <d a'>) |
\key g \minor
R1*15/8*8 |
R1*15/8*5 |
R1*15/8*8 |
r2 r4. g'8 g' c, d ef16 d c8 bf g |
a2.. f8 f' bf, c df16( c bf) af f8 df |
c2.. c'8 c' f, g af16 g f8 g16 af bf8 |
c g c, g' c g c, cs' g cs, g' d' a! fs c |
\repeat unfold 2 { g, g' d ef c d f g g, g' d ef c d f | }
f, f' c d bf c ef f f, f' c d bf c ef |
f, f' c df bf c ef f f, f' c df bf c df |
\repeat unfold 2 { c c' g af f g bf c c, c' g af f g bf | }
<c, g' c>8 q q q r4 q8 q q q4 q8 q q4 |
<cs g' cs>8 q q q r4 q8 <d a' d> q q4 q8 q q4 |
}
guitarOneStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarOne }
guitarTwoStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarTwo }
chordExceptionMusic = {
<c e g b d'>1-\markup { "maj9" }
<c e g b fs'>1-\markup { "maj7" \sharp "11" }
<c ef f g bf>1-\markup { "m7sus4" }
<c ef gf bff>1-\markup { "°7" }
<c ef gf bf>1-\markup { \super { "ø7" } }
<c e g d'>1-\markup { "add9" }
<c ef g d'>1-\markup { "m(add9)" }
<c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
<c g>1-\markup { "5" }
<c e g bf>1-\markup { "7" }
<c e g b>1-\markup { "maj7" }
<c ef g bf>1-\markup { "m7" }
<c f g>1-\markup { "sus4" }
<c d g>1-\markup { "sus2" }
<c e g bf df'>1-\markup { "7" \super { \flat "9" } }
<c e g f'>1-\markup { "add11" }
}
chordExceptions = #(append
(sequential-music-to-chord-exceptions chordExceptionMusic #t)
ignatzekExceptions
)
chordValues = \chordmode {
\global
% \powerChords
\set chordNameExceptions = #chordExceptions
\set majorSevenSymbol = \markup "maj7"
}
chordNames = \new ChordNames {
\set chordChanges = ##t
\set chordNameExceptions = #chordExceptions
\chordValues
}
\score {
<<
\chordNames
\guitarOneStaff
\guitarTwoStaff
>>
\layout {
\context {
\Staff \RemoveEmptyStaves
\override Glissando.minimum-length = #4
\override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
\override Glissando.thickness = #2
\override VerticalAxisGroup.remove-first = ##t
}
}
}
\score {
\unfoldRepeats {
<<
\transpose c c, \guitarOneStaff
\transpose c c, \guitarTwoStaff
>>
}
\midi {}
}

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\version "2.24.0"
\language "english"
\header {
title = "Another One"
composer = "Tommy Montgomery"
copyright = "(c) 2024 Tommy Montgomery"
}
global = {
\key d \phrygian
\set Staff.printKeyCancellation = ##f
\numericTimeSignature
\compressEmptyMeasures
\omit Voice.StringNumber
\override TupletBracket.bracket-visibility = #'if-no-beam
\override MultiMeasureRest.expand-limit = #3
\override Score.ChordName.font-name = #"Noto Serif"
\override Score.ChordName.font-size = #0
\override Score.LyricText.font-name = #"Noto Serif"
\override Score.LyricText.font-size = #0
\tempo 4 = 116
}
guitarOne = \relative c' {
\global
\time 6/4
d'16( d,) c'( d,) d'( d,) d c'( d,) d'( d,) d c'( d,) d'( d,) d c'( d,) d'( d,) ef'( d,) c' |
\repeat unfold 2 {
d,8 d16 d d ef f g ~ g d ef f af8 d,16 ef f g8 d16 ef f ef c |
}
\alternative {
{ d8 d16 d d ef f g ~ g f ef d bf8 g16 g g a bf c ~ c d ef c | }
{ d8 d16 d g( af) d, c' ~ c8 d,16 d d'4 \tuplet 6/4 { ef16( c) af g f ef } c4 | }
}
}
guitarTwo = \relative c {
\global
}
guitarOneStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarOne }
guitarTwoStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarTwo }
chordExceptionMusic = {
<c e g b d'>1-\markup { "maj9" }
<c e g b fs'>1-\markup { "maj7" \sharp "11" }
<c ef f g bf>1-\markup { "m7sus4" }
<c ef gf bff>1-\markup { "°7" }
<c ef gf bf>1-\markup { \super { "ø7" } }
<c e g d'>1-\markup { "add9" }
<c ef g d'>1-\markup { "m(add9)" }
<c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
<c g>1-\markup { "5" }
<c e g bf>1-\markup { "7" }
<c e g b>1-\markup { "maj7" }
<c ef g bf>1-\markup { "m7" }
<c f g>1-\markup { "sus4" }
<c d g>1-\markup { "sus2" }
<c e g bf df'>1-\markup { "7" \super { \flat "9" } }
<c e g f'>1-\markup { "add11" }
}
chordExceptions = #(append
(sequential-music-to-chord-exceptions chordExceptionMusic #t)
ignatzekExceptions
)
chordValues = \chordmode {
\global
% \powerChords
\set chordNameExceptions = #chordExceptions
\set majorSevenSymbol = \markup "maj7"
}
chordNames = \new ChordNames {
\set chordChanges = ##t
\set chordNameExceptions = #chordExceptions
\chordValues
}
\score {
<<
\chordNames
\guitarOneStaff
\guitarTwoStaff
>>
\layout {
\context {
\Staff \RemoveEmptyStaves
\override Glissando.minimum-length = #4
\override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
\override Glissando.thickness = #2
\override VerticalAxisGroup.remove-first = ##t
}
}
}
\score {
\unfoldRepeats {
<<
\transpose c c, \guitarOneStaff
\transpose c c, \guitarTwoStaff
>>
}
\midi {}
}

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\version "2.24.0"
\language "english"
\header {
title = "Castles in the Sky"
composer = "Tommy Montgomery"
copyright = "(c) 2024 Tommy Montgomery"
}
global = {
\key e \minor
\set Staff.printKeyCancellation = ##f
\numericTimeSignature
\compressEmptyMeasures
\omit Voice.StringNumber
\override TupletBracket.bracket-visibility = #'if-no-beam
\override MultiMeasureRest.expand-limit = #3
\override Score.ChordName.font-name = #"Noto Serif"
\override Score.ChordName.font-size = #0
\override Score.LyricText.font-name = #"Noto Serif"
\override Score.LyricText.font-size = #0
\tempo 4 = 81
}
mainBRiff = \relative c' {
ds16 b e b fs' b, ds e b fs' b, ds g b, fs' b, e b fs' b,
}
guitarOne = \relative c' {
\global
\time 5/4
\ottava #1
\repeat volta 4 { \transpose c c'' \mainBRiff^"4x" | }
\repeat unfold 4 { \transpose c c'' \mainBRiff }
\repeat unfold 2 { \transpose c c'' \mainBRiff }
e'' c fs c g' c, e fs c g' c, g' a d, g d fs d g d |
e g a e b' e, g a e b' e, a c b a g fs g fs e |
ds2. \ottava #0 r2 | R1*5/4*7 |
\repeat unfold 2 \transpose c c' \mainBRiff |
\repeat volta 2 \transpose c c' \mainBRiff |
\time 4/4
e,2.. g8 | fs2.. d8 | b2.. fs'8 | e1 |
e,2.. g8 | fs2.. g8 | a2.. c8 | b1 |
\time 7/16
\repeat unfold 2 {
\repeat unfold 3 { b,8[ b16] c8[ a8] | }
}
\alternative {
{ g16[ fs e] fs[ e g a] | }
{ g16[ e' fs a] b[ c,8] | }
}
\repeat unfold 3 { b16[ b32 b b b] c16[ c32 c a16 a32 a] | }
<g d'>16[(\glissando <fs cs'>) e] <fs cs'>([ e) <g d'>\glissando( <a e'>)] |
\repeat unfold 3 { <b fs'>16[ b32 b b b] <c g'>16[ c32 c <a e'>16 a32 a] | }
<f c' f>8. <g d' g>8[ <a e' a>] |
\bar "||"
b16[( d) fs( e)] g[ a c] |
b[( c) a g] fs[( g) ds] |
e[( g) bf( a)] b[ d! f] |
e[( f) gs a] b[(\glissando c) as] |
b[ c a! ds,] e[ g! b] |
bf,[ cs e g] a[( bf) g] |
fs[( g) ef d] cs[ g' as] |
b[ fs, g! b] ds[( e) as,]
b[( d!) fs( e)] g[ a! c] |
b[( c) a g] fs[( g) ds] |
e[( g) bf( a)] \ottava #1 b[ d! f] |
e[( f) gs( a)] b[(\glissando c) as] |
b[( fs) g( fs)] e[ b a!] \ottava #0 |
b[( fs) g( fs)] e[ b a] |
b[( c) b( as)] b[ e,,8] |
R1*2/4^"double other" |
R1*2/4*8 |
\ottava #1
\repeat unfold 4 { e'''16 b fs' b, g' b, e fs b, g' b, e a b, g' b, fs' b, g' b, | }
c e g c, a' c, e g c, a' c, e b' c, a' c, g' c, a' c, |
\repeat unfold 2 { e c g' c, a' c, e g c, a' c, e b' c, a' c, g' c, a' c, | }
b d e b g' b, d e b g' b, d b d e b gs' b, d( e) \ottava #0 |
\key a \minor
r8 b8 c8 r16 b16 ~ b c8. |
r8 f,8 g8 r16 f16 ~ f g8. |
r8 a8 g8 r16 a16 ~ a g8. |
r8 g8 a8 r16 g16 ~ g a8. |
r8 <b d>8 <c e>8 r16 <b d>16 ~ q <c e>8. |
r8 <c e>8 <b d>8 r16 <c e>16 ~ q <b d>8. |
r8 <a c>8 <b d>8 r16 <a c>16 ~ q <b d>8. |
r8 <c e>8 <b d>8 r16 <c e>16 ~ q <b d>8. |
\ottava #1
r8 <a c>8 <b d>8 r16 <c e>16 ~ q <b d>8. |
r8 <a c e>8 <b d e>8 r16 <c e a>16 ~ q <b d e>8. |
r8 <a c a'>8 <b d b'>8 r16 <c e c'>16 ~ q <b d b'>8. |
r8 <a c a'>8 <gs b gs'>8 r16 <f a d f>16 ~ q <d f a d>8. |
\ottava #0
\key e \mixolydian
R1*2 |
gs2 e4 gs8 a | b4 \grace b8( c8 b) a4. b16( a) |
gs2 e4 gs8( a16 gs) | fs2. a4 |
gs2 e4 gs8 a | b4 \grace b8( c8 b) c2 ~ |
c4 b8 a16 c d4 c8 b16 d | \ottava #1 << { r2 c'16 b a g fs g fs e } \\ { e1 } >> |
\key e \minor
\time 5/4
\repeat unfold 2 { \transpose c c'' \mainBRiff }
e16 c fs c g' c, e fs c g' c, g' a d, g d fs d g d |
e g a e b' e, g a e b' e, a c b a g fs g fs e \ottava #0 |
\mainBRiff^"lots of harm."
\mainBRiff
\mainBRiff
\time 17/16
ds,,16->[ b ds] e->[ b] fs'->[ b, fs'] g->[ b,] a'->[ b, a'] b8->[ c->] |
\time 5/4
b8. b16 b' b, r8 b16 b' b, b' a c ds fs e b a c |
b8. b,16 b' b, r8 b16 b' b, b' c a b ds e fs e ds |
b8. b,16 b' b, r8 b16 b' b, b' a c ds fs e b a c |
b8 c16 a b8. g16 e fs8. fs16 ds e \tuplet 3/2 { ds32( e ds) } \tuplet 6/4 { c16 b a b c a } |
b16 b' c a b b, b' c a b b, b' c a b fs g e fs ds |
b b' c a b b, b' c a b b, b' c a b ds e fs b fs |
b,, b' c a b b, b' c a b b, b' c a b fs g e fs b, |
\time 19/16
ds16->[ b ds] e->[ b] fs'->[ b, fs'] g->[ b,] a'->[ b, a'] b8->[ c-> d!->] |
\key e \mixolydian
gs,2.^"w/ strings" e4. gs4 a8 | b4. ~ b8 \grace b8( c b) a4. ~ a4 b16( a) |
gs2. e4. gs4( a16 gs) | fs2. ~ fs4. a4. |
gs2. e4. gs4 a8 | b4. ~ b8 \grace b8( c b) c2. ~ |
c4. b8 a c d4. c8 b d | e1. |
\transpose c f' \mainBRiff^"repeat and fade" |
\bar "|."
}
guitarTwo = \relative c {
\global
\repeat volta 4 { R1*5/4 }
<fs b fs'>4 ~ q8. q16 ~ q q8 r16 r2 |
<fs b fs'>4 ~ q8. e32 e e e <e a e'>8. q8 q r8 e32 e e e |
<fs b fs'>4 ~ q8. q16 ~ q q8 r16 r2 |
ds'16 b e\glissando( g) fs8. g16 ~ g e a\glissando( c) b4 e,8 fs |
<b, fs'>2. ~ q4 <a e'>8 q | <b fs'>2. ~ q4 <a e'>8 <b fs'> |
<c g'>2. <d a'>2 | <e, b'>2. a'16 g fs e d? e d c |
b16 b' c a b b, b' c a b b, b' c a b fs g e fs ds |
b b' c a b b, b' c a b b, b' c a b ds e fs b fs |
b,, b' c a b b, b' c a b b, b' c a b fs g e fs ds |
b b' c a b b, fs' g e fs b, e fs ds e \tuplet 3/2 { ds32( e ds) } \tuplet 3/2 { c16 b a } g fs |
e e' f d e e, e' f d e e, e' f d e\glissando( f) a d f( e) |
e,, e' f d e e, e' f d e e, e' f d e e, a c b f |
e e' f d e e, e' f d e e, e' f d e\glissando( f) a d f( d) |
e e' f d e b c a b f8. \tuplet 6/4 4 { g16 f e d c b a g f e d c } |
b8 b b r16 b16 ~ b b8 r16 <c g'>4 <a e'> |
b8 b b r16 b16 ~ b b8 r16 <a e'>4 <c g'> |
\repeat volta 2 {
<b fs'>16 b32 b <b fs'>16 b32 b <b fs'>16 b32 b b b
<b fs'>16 b32 b <b fs'>16 b32 b b b g'32 g g g fs fs fs fs e e e e fs fs fs fs |
}
\time 4/4
\repeat unfold 2 {
c16^"clean" e g b e b g e c e g b e b g e |
d fs g d' e d g, fs d fs g d' e d g, fs |
}
\alternative {
{ \repeat unfold 2 { e, b' e g e' b g e e, b' e g e' b g e | } }
{
a, e' b' c e c b e, a, e' b' c e c b e, |
<e, b' e>8 q16 q ~ q <f c' f>8 <g d' g>16 ~ q4 ~ q16 <a e' a>8. |
}
}
\bar "||"
\repeat unfold 3 { b16[ fs' c' b] e[ b c] | }
g,[ e' b' b] e[ b b] |
\repeat unfold 3 { b,16[ fs' c' b] e[ b c] | }
g,[ e' b' b] f,[ c' d] |
\repeat unfold 3 { b16[ fs' c' b] e[ b c] | }
g,[ e' b' b] e[ b b] |
\repeat unfold 3 { b,16[ fs' c' b] e[ b c] | }
f,,[ c' f] g[ d] a8 |
% modulation mayhem
R1*7/16*8 |
fs'16[ b d( cs)] e[ fs g] |
fs[( g) fs e] ds[( e) a,] |
b[ e g( fs)] f[ b d] |
b[( d) e( f)] fs[( g) e] |
fs[ b, c( b)] a[ fs\glissando( e)] |
fs[ b, c( b)] a[ fs\glissando( e)] |
b[ c b as] b[ e,8] |
\time 2/4 <f c' f>8 f16 <g d' g> ~ q <a e' a>8 b16 ~ |
b( d) fs!( e) g a c b ~ |
b( c) a g fs( g) ds e ~ |
e( g) bf( a) b d! f e ~ |
e( f) gs( a) b\glissando( c) as b ~ |
b b, e fs! g! fs e c ~ | c c, fs g a g fs d ~ |
d a d e f e d a | \tuplet 6/4 4 { bf b a bf gs a g gs fs g f fs } |
\time 5/4
<e b' e>4 ~ q8. q16 r q r8 r2 |
<e b' e>4 ~ q8. <a e' a>16 r <a e' b'> r8 c'16 b a fs e c b g |
e32 e e e <e b' e>16 e32 e <e b' e>16 r8. r4 a8 g fs g |
e8 fs g8 r16 a16 ~ a b8 r16 c b c d e g fs d |
e a b e, c' e, a b e, c' e, a d e, c' e, b' e, c' e, |
a f b f c' f, a b f c' f, a d f, c' f, b f c' f, |
a fs! b fs c' fs, a b fs c' fs, a d fs, c' fs, b fs c' fs, |
g b c g d' g, b c g d' g, b gs b c gs d' gs, b( c) |
\time 3/4
\key a \minor
a,16 a <a e' b'> a <a e' c'> a a <a e' b'> a <a e' c'> a a |
f f <f c' f> f <f c' g'> f f <f c' f> f <f c' g'> f f |
g g <g d' a'> g <g d' g> g g <g d' a'> g <g d' g> g g |
a a <a e' g> a <a e' a> a a <a e' g> a <a e' a> a a |
a a <a e' b'> a <a e' c'> a a <a e' b'> a <a e' c'> a a |
b b <b f' c'> b <b f' b> b b <b f' c'> b <b f' b> b b |
c c <c e a> c <c e b'> c c <c e a> c <c e b'> c c |
d d <d f c'> d <d f b> d d <d f c'> d <d f b> d d |
\repeat unfold 3 { e e <e a> e <e b'> e e <e c'> e <e b'> e e | }
e e <e a> e <e gs> e e <d a'> d <d a'>8. |
\bar "||"
\time 4/4
\key e \mixolydian
\repeat unfold 2 {
e,16 e <e b' e> e <e b' e> e e <e b' e> e <e b' e> e e e e e e |
}
\repeat unfold 3 {
e16 e <e b' e> e <e b' e> e e <e b' e> e <e b' e> e e e e e e |
}
b' b <b fs' b> b <b fs' b> b b <b fs' b> b <b fs' b> b b c b a gs |
e16 e <e b' e> e <e b' e> e e <e b' e> e <e b' e> e e e e e e |
fs fs <fs b fs'> fs <fs b fs'> fs fs <fs b fs'> fs <fs b fs'> fs fs fs fs fs fs |
g g <g c g'> g <g c g'> g g g a a <a d a'> a <a d a'> a a a |
<e b' e gs b e>8. q16 ~ q8 q <e c' fs a b e>2 |
\key e \minor
\repeat unfold 2 { <fs b fs'>8 q q r16 q r q r8 q q q q | }
<g c g'>8 q q r16 q r q r8 <a d a'> q q q |
<e b' e>8 q q r16 q r q r8 c'16 b a g fs g fs e |
R1*5/4*2 |
<fs b fs'>16-> fs q-> fs q-> fs fs q-> fs q-> fs fs g' b, fs' b, e b fs' b, |
<fs b fs'>8 r16 <fs b fs'>8 q r16 q8 q r16 b8[ a] |
\repeat unfold 2 {
b16 b' c a b b, b' c a b b, b' c a b fs g e fs ds |
b b' c a b b, b' c a b b, b' c a b ds e fs b fs |
b,, b' c a b b, b' c a b b, b' c a b fs g e fs
}
\alternative {
{ ds | b b' c a b b, fs' g e fs b, e fs ds e \tuplet 3/2 { ds32( e ds) } \tuplet 6/4 { c16 b a b c a } | }
{
b |
ds16->[ b ds] e->[ b] fs'->[ b, fs'] g->[ b,] a'->[ b, a'] a,8->[ g-> fs->] |
}
}
\time 12/8
\tempo 4. = 54
\key e \mixolydian
<e b' e>4. <b'' e> <e,, b' e> <b'' e>8 gs, a |
<e b' e>4. <b'' e> <e,, c'>4. c'8 b a |
<e b' e>4. <b'' e> <e,, b' e> <b'' e>8 gs, a |
b4. ds fs c8 a fs |
<e b' e>4. <b'' e> <e,, b' e> <b'' e>8 gs, a |
<fs b fs'>2. <e c' a'>4. b'8 a b |
<g c g'>4. c8 b c <a d a'>4. a8 g fs |
e4. e8 gs! b c4. a |
\time 5/4
<e b' e gs b e>2. ~ q2\fermata |
}
guitarOneStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarOne }
guitarTwoStaff = \new Staff \with { midiInstrument = "distorted guitar" midiMaximumVolume = #0.6 }{ \global \guitarTwo }
chordExceptionMusic = {
<c e g b d'>1-\markup { "maj9" }
<c e g b fs'>1-\markup { "maj7" \sharp "11" }
<c ef f g bf>1-\markup { "m7sus4" }
<c ef gf bff>1-\markup { "°7" }
<c ef gf bf>1-\markup { \super { "ø7" } }
<c e g d'>1-\markup { "add9" }
<c ef g d'>1-\markup { "m(add9)" }
<c e fs as>1-\markup { \super { \sharp "11" \sharp "13" } }
<c g>1-\markup { "5" }
<c e g bf>1-\markup { "7" }
<c e g b>1-\markup { "maj7" }
<c ef g bf>1-\markup { "m7" }
<c f g>1-\markup { "sus4" }
<c d g>1-\markup { "sus2" }
<c e g bf df'>1-\markup { "7" \super { \flat "9" } }
<c e g f'>1-\markup { "add11" }
}
chordExceptions = #(append
(sequential-music-to-chord-exceptions chordExceptionMusic #t)
ignatzekExceptions
)
chordValues = \chordmode {
\global
% \powerChords
\set chordNameExceptions = #chordExceptions
\set majorSevenSymbol = \markup "maj7"
\repeat volta 4 { b1*5/4 | }
\repeat unfold 4 b1*5/4 |
b1*5/4 | q | c2. d2 | e2.:m a2:m |
b1*5/4 | q | q | q |
e:m | q | q | q |
b1*5/4 | q | \repeat volta 2 q |
c1:maj7 | d | e:m | e4:m e:m/fs e:m/g e:m/a |
c1:maj7 | d | a:1.3-.5.9 | e4:5 q16 f8:5 g4.:5 a8.:5 |
b1*7/16:1.3.5.7.9- | q | q | e:m/g |
b1*7/16:1.3.5.7.9- | q | q | e4:m/g f8.:1.3.5.11+ |
b1*7/16:1.3.5.7.9- | q | q | e:m/g |
b1*7/16:1.3.5.7.9- | q | q | f8.:5 g8:5 a:5 |
% modulation mayhem
b4:m a8.:m | c4:maj7 b8.:7/ds | e4:dim b8.:dim | e4:1.3.5.7.9- fs8.:1.3.5-.7 |
b4:1.3.5.7.9- e8.:m | bf4:dim7 g8.:m | d4:1.3.5.7.9- a8:1.3.5.7.9- fs16:1.3.5.7.9-/as | b8:m g fs8.:7 |
}
chordNames = \new ChordNames {
\set chordChanges = ##t
\set chordNameExceptions = #chordExceptions
\chordValues
}
\score {
<<
\chordNames
\guitarOneStaff
\guitarTwoStaff
>>
\layout {
\context {
\Staff \RemoveEmptyStaves
\override Glissando.minimum-length = #4
\override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
\override Glissando.thickness = #2
\override VerticalAxisGroup.remove-first = ##t
}
}
}
\score {
\unfoldRepeats {
<<
\transpose c c, \guitarOneStaff
\transpose c c, \guitarTwoStaff
>>
}
\midi {}
}

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